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Portrait of Humanity shows resilience - Amateur Photographer
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The California Dream Is Dying Conor Friedersdorf © Emil Haasch
Behold California, colossus of the West Coast: the most populous American state; the world’s fifth-largest economy; and arguably the most culturally influential, exporting Google searches and Instagram feeds and iPhones and Teslas and Netflix Originals and kimchi quesadillas. This place inspires awe. If I close my eyes I can see silhouettes of Joshua trees against a desert sunrise; seals playing in La Jolla’s craggy coves of sun-spangled, emerald seawater; fog rolling over the rugged Sonoma County coast at sunset into primeval groves of redwoods that John Steinbeck called “ambassadors from another time.”
Alec Soth and Susan Meiselas Feature in Magnum s Latest Square Print Sale
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Online exhibition explores themes of domesticity
France, Neuilly-Plaisance, September 4, 2018, Agata © Bieke Depoorter / Magnum Photos.
LONDON
.-The Magnum Gallery is presenting Theres no place like home an exhibition which explores themes of domesticity, sheltering, interiority and the comfort of personal spaces and objects in difficult times. The exhibition is exclusively on view online from 19 May to 31 August 2021 and brings together works of Magnum photographers Antoine dAgata, Raymond Depardon, Bieke Depoorter, Bruce Gilden, Harry Gruyaert, Gregory Halpern, Peter Marlow, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, and Alec Soth.
Resonating with much of current human experience around the world, the exhibition reflects on the concept of home as a central place for solace and security which can promise hope and a more favourable future during complex, long and uncertain moments in life. Theres no place like home examines how personal
The First Art Newspaper on the Net
Abraham Bloemart s Moses Striking the Rock, a painting from 1596 now in its collection. The museum said it had investigated and did not find compelling evidence that Curt Glaser had been forced to sell the painting. Metropolitan Museum of Art via The New York Times.
by Catherine Hickley
(NYT NEWS SERVICE)
.- The Nazi authorities removed Curt Glaser from his post as director of the Berlin State Art Library in April 1933 because he was Jewish. He was also evicted from his home and, the following month, sold most of his art collection at two auctions. Since 2007, 13 private collectors or institutions including the Dutch Restitutions Committee, the Prussian Cultural Heritage Foundation in Berlin, the Museum Ludwig in Cologne and the city of Basel have concluded that Glaser sold his collection in May 1933 as a result of Nazi persecution, and agreed to either return or pay some compensation to his heirs for art he sold that wound up in th
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