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Licence to gaffe: France s answer to Austin Powers hits the big screens

Licence to gaffe: France’s answer to Austin Powers hits the big screens Issued on: 04/08/2021 - 11:26 Picture from the French film OSS 117 From Africa with Love, directed by Nicolas Bedos starring Jean Dujardin (L) and Pierre Niney (R), the closing film for the Cannes Film Festival 2021. © Christophe Brachet MANDARIN PRODUCTION – GAUMONT – M6 FILMS – SCOPE PICTURES Opening in cinemas across the country on 4 August, OSS 117: From Africa with Love is the third film in the comedy spy series, featuring Oscar winner Jean Dujardin, Pierre Niney and Senegalese actress Fatou N Diaye. Advertising Read more Screened at Cannes as the closing film, hopes are high that the saga will provide a boost for French cinema over the summer.

OSS 117: Alerte rouge en Afrique noire clausurará Cannes

París, 25 de junio (EFE).- OSS 117: Alerte rouge en Afrique noire, última entrega de una saga que parodia el cine de espías y que está protagonizada por el oscarizado Jean Dujardin, clausurará la 74 edición del Festival de Cannes, que se celebrará del 6 al 17 de julio. El filme, dirigido por el francés Nicolas Bedos y protagonizado igualmente por Pierre Niney, se proyectará al término de la gala en la que el jurado presidido por el cineasta estadounidense Spike Lee entregará el palmarés. Esta última cinta sucede a OSS 117: Le Caire, nid d’espions (2006) y OSS 117: Rio ne répond plus (2009), ambas dirigidas por Michel Hazanavicius.

Anne Fontaine puts the finishing touches to Présidents

Haute couture). Written by the director, the story sees Nicolas, a former president of the French Republic, struggling with the cessation of his political career. He believes he can make a comeback but decides to find an ally. He heads off to see François, who is enjoying retirement in the rural region of Corrèze. He tries to convince his counterpart to team up with him so as to reclaim their place in the limelight. François is on board, but Nicolas realises happiness isn’t always found where you expect it … Discovered in Cannes’ Critics’ Week in 1993 via

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