Sitting in the lobby of Moscow's Metropol hotel at some moment in the mid-'90s, a client and I (I was working in finance at the time) gazed at those wandering by hard-looking men involved in who-knows-what business, sleek women involved in we-knew-what business, some wealthy "new Russians" sporting haute couture and ostentatious disdain for Soviet drabness all stock characters in Weimar Moscow. The two men deep in conversation at a neighboring table were under investigation in a financial scandal then making headlines in the U.K. "What is this, Casablanca?" asked my client, who had never been to Russia before. "Pretty much," I replied.
PROFESSOR Dr Dirk Boll, deputy chairman of 20th and 21st century art at Christie’s in London, challenged traditional concepts of the international art mar.