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An Op Ed by Alexandre Donot, Editor | American Cinema Editors

An Op Ed by Alexandre Donot, Editor | American Cinema Editors
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Adam Shatz with Pac Pobric

In the opening pages of his new essay collection, Writers and Missionaries, Adam Shatz recalls a remark by John Berger that subtlety is a luxury of the privileged. “But I am not so sure,” Shatz writes. “It seems to me that subtlety and nuance are indispensable tools of criticism—not least for groups of people (so-called minorities, for example) who have been seen, and often vilified, as monoliths.”

Lucy Lippard’s I See / You Mean

Lippard’s only novel merges the organization and constraint of minimalist and conceptual art practices with more erogenous, esoteric, even erotic forms. Her collage writing both obscures her real-world subjects and allows her a means by which to have critical reflection on how she was coming to see them.

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