when the legend becomes fact, print the legend. he s right. westerns are cut and dried. good guy wins at the end. it s always for the best. there are no regrets. and this is john ford, the man who created the myth of the movie western as much as anyone, questioning it, saying, well, maybe the march of civilization, maybe it wasn t all good. maybe qualities of humanity were lost. maybe kinds of people were lost that we would be better having arundo around today. nothing s too good for the man who shot liberty valance. this movie is like liberty valance. good guy is not necessarily the good guy anymore. this becomes heightened with the genre throughout the 60s. leone kind of turns the western on his ear and because he was italian they became known as spaghetti westerns even though most of them were shot in in spain. i reckon you picked the wrong trail. his big mistake, i think, was
i can t believe it. that karl brought his karaoke machine? ain t nothing but a heartache. no, i can t believe how easy it was to save hundreds of dollars on my car insurance with geico. i never wanna hear you say. no, kevin. no, kevin! believe it! geico could save you fifteen percent or more on car insurance. geico could save you fifteen percent (sniffling) okay. thanks for coming all this way to get me. no worries. do you have everything? yeah, i think so. ran out of that car so fast, it s hard to tell! (both laughing) .i haven t seen it like that in forever. let s get you checked in. thanks. (announcer) treating others like we d like to be treated has always been our guiding principle.
that time when history offers us a number of consistently opposite examples. i didn t make any rules. no, but you sure live by them. everybody lives by them. everybody stuck with what is, even them swamp animals. even that weasel. you calling me a weasel? no. i m calling you a white man. sidney poitier would often be cast in blat ant sort of message movies of that era, but there s some exceptions like a raisin in the sun. looking in the mirror this morning and thinking, i m 35 years old. i m married 11 years, and i got a boy who has got to sleep in the living room because i got nothing. raisin in the sun was about integration. they buy a house in a nice white area, but the people in the neighborhood don t want them there. our association is prepared to buy the house from you at a financial gain to your family. god have mercy. ain t this the living gall? poitier gets to show more range in raisin in the sun .
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