I had once written extensively about S.M. Sultan. Why? Because it felt essential to make our ‘art authorities’ aware that he was a rare talent, although many were unwilling to accept it. Thus, the pen became my last resort.
Even after being acclaimed and acknowledged all over the world, including India, Pakistan, the USA, Britain, and Europe, SM Sultan’s artworks before the 1950s remain a mystery as most of these could not be traced due to his nomadic nature.
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The capital of Bangladesh has been given many names. Writers, poets, artists, and musicians all have had their go at Dhaka and each painted a picture of the city in light of how they perceived it.