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The Frist Art Museum presents Chaos and Awe: Painting for the 21st Century, a sweeping survey of paintings from around the world that invite contemplation of seemingly ungraspable forces .
“To emigrate,” John Berger writes in And Our Faces, My Heart, Brief as Photos, “is always to dismantle the center of the world, and so to move into a lost, disoriented one of fragments.” For artist Ficre Ghebreyesus (1962–2012), who fled Eritrea during the period of Red Terror, after the country was annexed by Ethiopia, those fragments became the basis of a visual language that filled the images he made with flashes of memory from his early life and evocations of the loneliness of transience. Two dozen of his paintings and pastels make up Ficre Ghebreyesus: I Believe We Are Lost at Galerie Lelong.
Collecting art is certainly no longer only for the uber wealthy. From street artists to the most elite of institutions, everyone is opening to the idea that