[tuning kamancheh] music hooks me up with some other world that, uh, it doesnt exist in our everyday life. [playing kamancheh] and, um, you know, somehow, when i was really little, i became interested inin playing kamancheh, and there was this old master, ostad aliasghar bahari. He appeared on tv, i mean i was totally fascinated, uh, with the way he was playing the instrument, because the sound was something that i. You know, spoke to me, spoke to my soul. I was bornn a nonmusical family. My father was an agricultural engineer, my brother was an instrument maker, um, my mother knew all of the songs that my father was, um, you know, thwas a true music lover, and he had a big archive of, you know, all the recordings and things. So, i grew up in a musical family, but not a musician family. I really loved music, and, uh, iii ran home from school, you know, to play. And then, um, by the time i was seven, they took me to music school, and i started to play uh, violin, in iranian style. And t
[tuning kamancheh] music hooks me up with some other world that, uh, it doesnt exist in our everyday life. [playing kamancheh] and, um, you know, somehow, when i was really little, i became interested inin playing kamancheh, and there was this old master, ostad aliasghar bahari. He appeared on tv, i mean i was totally fascinated, uh, with the way he was playing the instrument, because the sound was something that i. You know, spoke to me, spoke to my soul. I was bornn a nonmusical family. My father was an agricultural engineer, my brother was an instrument maker, um, my mother knew all of the songs that my father was, um, you know, thwas a true music lover, and he had a big archive of, you know, all the recordings and things. So, i grew up in a musical family, but not a musician family. I really loved music, and, uh, iii ran home from school, you know, to play. And then, um, by the time i was seven, they took me to music school, and i started to play uh, violin, in iranian style. And t
[tuning kamancheh] music hooks me up with some other world that, uh, it doesn t exist in our everyday life. [playing kamancheh] and, um, you know, somehow, when i was really little, i became interested in in playing kamancheh, and there was this old master, ostad ali-asghar bahari. he appeared on tv, i mean i was totally fascinated, uh, with the way he was playing the instrument, because the sound was something that i. you know, spoke to me, spoke to my soul. i was bornn a non-musical family. my father was an agricultural engineer, my brother was an instrument maker, um, my mother knew all of the songs that my father was, um, you know, theywas a true music lover, and he had a big archive of, you know, all the recordings and things. so, i grew up in a musical family, but not a musician family. i really loved music, and, uh, i i i ran home from school, you know, to play. and then, um, by the time i was seven, they took me to music school, and i started to play uh, viol
[tuning kamancheh] music hooks me up with some other world that, uh, it doesn t exist in our everyday life. [playing kamancheh] and, um, you know, somehow, when i was really little, i became interested in in playing kamancheh, and there was this old master, ostad ali-asghar bahari. he appeared on tv, i mean i was totally fascinated, uh, with the way he was playing the instrument, because the sound was something that i. you know, spoke to me, spoke to my soul. i was bornn a non-musical family. my father was an agricultural engineer, my brother was an instrument maker, um, my mother knew all of the songs that my father was, um, you know, theywas a true music lover, and he had a big archive of, you know, all the recordings and things. so, i grew up in a musical family, but not a musician family. i really loved music, and, uh, i i i ran home from school, you know, to play. and then, um, by the time i was seven, they took me to music school, and i started to play uh, viol
[tuning kamancheh] music hooks me up with some other world that, uh, it doesn t exist in our everyday life. [playing kamancheh] and, um, you know, somehow, when i was really little, i became interested in in playing kamancheh, d there was this old master, ostad ali-asghar bahari. he appeared on tv, i mean i was totally fascinated, uh, with the way he was playing the instrument, because the sound was something that i. you know, spoke to me, spoke to my soul. i was bornn a non-musical family. my father was an agricultural engineer, my brother was an instrument maker, um, my mother knew all of the songs that my father was, um, you know, theywas a true music lover, and he had a big archive of, you know, all the recordings and things. so, i grew up in a musical family, but not a musician family. i really loved music, and, uh, i i i ran home from school, you know, to play. and then, um, by the time i was seven, they took me to music school, and i sta