IntroductionIn the Ariège Department in Pyrenean France, between 1829 – 1831, men dressed up as women revolted against their landowners in what became known, curiously, as the ‘Girl’s War’ or ‘Maidens’ War’ (Guerre Des Demoiselles).
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Mendietas films are tethered to Cuba, sharing the same political undercurrents as the Cuban filmmakers of the decade prior, and are just as confrontational.