In March of 1943, the audience that poured into New York’s St. James Theatre had no idea they were witnessing the the birth of the musical comedy as we know it today. The maiden production of composer Richard Rodgers and lyricist Oscar Hammerstein’s OKLAHOMA! would change the face of Broadway forever. Flash forward 80 years and audiences once again had no idea what they would encounter in Director Daniel Fish’s dark disjointed OKLAHOMA!
At the close of the final dress rehearsal for Indianapolis Ballet’s “New Works” running Nov. 4-7 at The District Theatre at 627 Mass Ave, I metaphorically paused to thank Catherine
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