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When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their close, nuanced, and compassionate depiction of persons from all walks of life. Most of her work was shot in black and white, and originated from magazine assignments ( Vogue, National Geographic, Vanity Fair, Life, Look, and Premiere, among dozens of others). The journalist Adrian Nicole LeBlanc, who collaborated with Mark on several such stories, witnessed firsthand the genuineness of her engagement, which, she wrote, “allowed her subjects’ singularity to grow in her presence, the way listening stirs the possibility for deeper conversations that otherwise won’t get heard.”

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