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Here Before Review: A Supernatural Motherhood Mystery – /Film
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21 must-see debuts by female directors from the last 10 years
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Column: Riveting, unsettling Saint Maud establishes Rose Glass as bold cinematic voice
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Prayer breaks into terror in âSaint Maudâ
By Ty Burr Globe Staff,Updated February 10, 2021, 11:44 a.m.
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Morfydd Clark in Saint Maud. A24 Films via AP
If there were ever a case of a stellar directing debut more poorly treated in the marketplace than âSaint Maud,â Iâd like to hear about it. A startling psychological horror story with a breakout performance by Welsh actress Morfydd Clark, the film was the talk of the 2019 Toronto Film Festival, got snapped up by indie distributor A24, and then saw its theatrical release scotched by the pandemic. It opened in mostly-empty movie houses last month (none in Boston) and finally comes to video on demand this week â exclusively on the EPIX subscription streaming platform. Thus the Balkanization of content prompted by the streaming platform wars punishes audiences and filmmakers alike.
Film of the Week: Nurseâs tale is anything but saintly By Contributor Published: 15:00, 30 January 2021
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Saint Maud (Cert. 15, 84 mins, available from Monday on DVD/Blu-ray and to download and stream)
Starring: Morfydd Clark, Jennifer Ehle, Lily Frazer
Kate (Morfydd Clark) prays daily, unwavering in her devotion.
âI canât shake the feeling that you must have saved me for something greater than this,â she rhapsodises to her God in the cramped confines of a sparsely furnished flat.
Maud walks away from the NHS to work in the private sector as a carer to famed American dancer and choreographer Amanda Kohl (Jennifer Ehle), whose halcyon days of hedonism and artistic expression have been cut short by terminal illness.