Oh, freedom and we wont be afraid ill be buried in my grave and go home to my lord and be free all right freedom, freedom and we wont be afraid ill be buried in my grave and go home to my lord and be free what are we marching for . Freedom. All right freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home [singing] freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home [singing] oh, freedom, my lord i will be free we shall overcome [singing] those young people singing the anthem of the American Revolution of 1963 were freedom riders. They were part of the pattern developed in this revolution, a pattern fashioned by events, more than events fashioned to a pattern. Along the way, the negro not only evolved the freedom ride, but also the sit in. It involved a federal boycott, involved the us
Disobedience. Now were about to explore the means by the negro to civilly disobey. Every revolution has its marching music. The American Revolution of 63, forged it into a powerful weapon for unity and inspiration. This gentleman here first. O freedom and home to my lor free what are we marching for . Freedom how long are we going to march . Freedom, Freedom Freedom, freedom come and i want to go home freedom come and i wan to go home freedom come and i want to go home freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home freedom come and i want to go home freedom come and i want to go home freedom, Freedom Freedom come and i want to go home freedom, Freedom Freedom come and i want to go home Freedom Freedom Freedom Freedom Freedom Freedom Freedom Freedom we shall overcome some day we shall overcome some day those young people singing the anthem of the American Revolution of 63 were freedom riders. They were a part of the pattern develo
We know he did and he was attempting to put a marker down. This wont be forgotten and will come back. In the center we have the two africanamerican to served in the senate. By the muchrounded larger numbers of African Americans who served in the house. There is joseph rainey, the first africanamerican in the house. And it takes it all the way around to all of them who were there. I find it so poignant in that, when this was printed no one knew how long would it be. Did they think 20 years would be a long time . Did they think it would be just a moment. What did happen in this print it looks terribly damaged, like it has had a hard life. As if at some point someone took this and pasted it on probably a wall. Underneath that is wallpaper. Underneath the print and on top of the board is wallpaper. It was perhaps painted on someones wall. In sort of recognition of the things that happened. We acquired it in d. C. It may have never left the nations capital, unlike black representation that
Tvs american artifacts we visit the Cannon House Office building to see artifacts that tell the story of africanamericans in congress in the 20th century. Im farar elliott. And im matt waz knsniewski. We wanted to talk about africanamerican representation in the 20th century. We have a lot of artifacts from the house collection that have to do with that and a lot of history to cover. And the last africanamerican to be elected in the 19th century leaves in 1901, george white of north carolina. And then its a long time before another africanamerican comes into the house. And that is Oscar Depriest from illinois. And we have a couple of really rare artifacts from Oscar Depriest from the 1920s and 30s. But before i launch into them, because i love them so much, matt, tell us a little bit about Oscar Depriest and how he got into congress. So, theres a long period, almost three decades, after George Henry White leaves congress where theres no africanamericans who serve in either the house or
In person at 184 south chandler indicated georgia. We are now the new school store for the college but drink the coronavirus we are coming to you live from my home office and atlanta, georgia. We have been doing a whole series of Educational Programs that fall under our mission of fostering Sustainable Community can work you for social justice and encouraging new expression and voices all through the use of virtual formats. We feel very fortunate that we the privilege of talking to authors who live all over the country during this time. We feel it is really, really significant that we continue to the programming that we already had scheduled because folks need history as we move through this historic time. Theres really no, i can think of no better book two of us focused on what the movement from black lights needs right now, what we who are white and what to contribute to the movement for black lives can do right now then this book race man julian bond selected works, 19602015. We had