bought myself some boards. because i didn t think i quite was ready for canvases. i did 10 or 12 paintings on boards with watercolors. and then i thought, you know, i m going to get some acrylics and i m going to go for it, buy a canvas. i have a little bit of money, maybe i ll buy a big canvas. so i bought a 4 by 4 foot canvas. and it was so exciting. it was so thrilling to create something without complaint or someone else s investment. it was just my investment. you say that you paint you say this, from a feminine perspective. and that a lot of men don t get your work. i think in the beginning when i was really just working on color, that i was really trying
dream. now she has gone from in front of a camera to in front of a canvas. experiencing a creative rebirth as a painter and we talked about all of it. you are a serious enter and you just had a gallery showing this spring here in l.a. called shut in. as we look at some of your words, tell me how you got into this and what it means to you. well, i really got into it during covid. a friend of mine sent me an adult paint by numbers kit. i said that is so fun. i got there one of them. there was a couple of them and i got one of them and said that actually really looks like something. so i went to the store and bought myself some boards because i did not think i was quite ready for canvases and i did about 10 or 12 paintings on boards with water colors. i m going to get some acrylics
they have to be certified, inspected. it is a self regulating industry, but it has not had an accident in 50 years and he was a renegade and he was warned. he went out, not only did he do carbon fiber, he did a glass fear, and then acrylics. not changing one thing, but changing everything, there needs to be some responsibility here. we have to go, do you have any last thoughts christine? no, just that we should keep the families close to our hearts and that we get transparency, and we find out what happened and how it took place. thank you both very much, ronda thank you for your expertise it s interesting to talk to you this evening. we ve got much more on catastrophic implosion of the titan submersible and the five people on board. next, the tragic history of the titanic and why it still fascinates us 111 years later. hear what james cameron says about the eerie parallels between the titan sob and the titanic.
safe and tested. lithium ion batteries, they use them now. ten years ago they didn t. they cost a lot of money, but they have to be certified and inspected. it s a self-regulating industry, but it hasn t had an accident in 50 years. he was a renegade and he was warned and he went out, not only did he do carbon fiber. he did glass sphere. now he s doing acrylics. changing one thing and testing it, but changing everything, there needs to be some responsibility here. we have to go. do you have any last thoughts? no. just that we should keep the families close to our hearts and we get some transparency and forensics to find out what happened and how it took place. thank you very much. we ve got much more on the catastrophic implosion. next the history of the titanic, hear what james
New Delhi [India], March 10 (ANI/ATK): Multi-award-winning artist Nandita Desai is sure to take art connoisseurs in the city on a nostalgia trip with her upcoming show. Titled The Stone and the Brick, the exhibition will be held from March 13 to 19, at the prestigious Jehangir Art Gallery, Kala Ghoda. She will showcase approximately 25 paintings with a common subject - houses. The artist, who took around six months to put the exhibit together, sought inspiration from her own life to depict the importance of the house on canvas. She says, "I have lived in a dozen different homes in my life and each has left an indelible mark on my subconscious." Interestingly, the houses that will be showcased in her artwork are mostly dilapidated or uninhabited. "Homes to me represent memories, feelings, nostalgia, and a sense of belonging. Their shadowy interiors are the essence of beauty to me. The sense of timelessness is innate in very old, abandoned homes, cities and structures. The