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11 of the Best Books To Read in Winter Under Your Warmest Blanket

Get snowed in with the best books to read in winter, including “Snowblind” by Ragnar Jónasson, Mary Shelley’s “Frankenstein,” and other great reads.

Eva Kristina Olsson

Eva Kristina Olsson Eva Kristina Olsson (b 1958) is the author of several books of poetry and plays, as well as a dancer, performer and filmmaker. She has published many books including  The Crime (1988),  Eiderwhite (2011), and the verse plays  Antigone’s Face Niobe’s Labyrinth (2013). This excerpt is from her critically acclaimed book  The Angelgreen Sacrament (2017), which Aase Berg called “Torturously beautiful… the best poetry collection of the year” in Dagens Nyheter. The collection will be published in translation later this year by Black Square Editions. Today 5:00 am

Bokrecension: Vilken värld gör det möjligt för mig och mina barn att leva? frågar Aase Berg och dyker ner i mörkret där en mor inte kan beskydda sitt barn

Bokrecension: Vilken värld gör det möjligt för mig och mina barn att leva? frågar Aase Berg och dyker ner i mörkret där en mor inte kan beskydda sitt barn
hbl.fi - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from hbl.fi Daily Mail and Mail on Sunday newspapers.

Recension: Aase Bergs En uppblåst liten fittas memoarer

Recension: Aase Bergs En uppblåst liten fittas memoarer
dn.se - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dn.se Daily Mail and Mail on Sunday newspapers.

Bird and Shaman by Johannes Göransson | Poetry Foundation

Untitled, 1959. Art by Eugene Von Bruenchenhein. Used by permission of Rich Shapero. © Rich Shapero. The Combustion Cycle (Roof Books, 2021), by Will Alexander, gathers three long poems written over two decades: “Concerning the Henbane Bird,” “On Solar Physiology,” and “The Ganges.” At more than 600 pages, the book calls attention to one of the great originals of contemporary US poetry, and at the same time it’s a record of something else something that has less to do with contemporary US poetry and more to do with another model of time and tradition. It feels like a record of a shamanic engagement with nature, with geological time, and, perhaps most radically, with what the political theorist Jane Bennett has called “vibrant matter,” the movement of supposedly “non-living” materials, such as metals and rocks. Alexander seems to be both the most American of poets part of several US traditions and almost not even writing in Ameri

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