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âOn paper, weâve only been together for around two and a half years,â says the painter Ivy Getty of her relationship with photographer Toby Engel. But in this pandemic-prompted, dog-year-style acceleration weâre living through, she reckons itâs been longer: âIf youâre spending lockdown with somebody, itâs like youâre together for triple the time.â Throngs of other pandemic-era loves have matched this paceâa 2020 trend dubbed the âturbo relationship.â âIt was like we pressed fast-forward,â Getty says. âBut it didnât feel rushed.â Still, when Engel proposed last summer, at a restaurant in Capri, Getty was taken aback. Only when he produced his motherâs sapphire ring did she realize what was happening. This November, the couple will marry at the San Francisco manse that once belonged to her grandmother Annâan antiquarian
Architect Gerald Luss, who designed the interiors of the Time & Life Building, is granting visitors access to his 1955 residence with a curated display of contemporary art and design.
While designing the interiors of one of New York City’s most iconic midcentury skyscrapers a building thrust into popular culture via AMC’s hit series
Mad Men architect Gerald Luss was living at his family home in the village of Ossining along the Hudson River. The glass-and-steel dwelling, Luss’s first stand-alone design, hosted planning meetings for the Time & Life Building, and the two structures even share a few design elements: an indoor/outdoor connection, a material palette of glass and steel, and colored panels that, in the office, could be rearranged to create flexible partitions; in the home, hallway cabinetry recalls that moment of innovation.