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Toppenish craft business closes after 52 years of supplying Indigenous artists

After 52 years, Hope Chest Crafts in Toppenish is closing. The family-owned business supplied generations of crafters and Indigenous artists in the Lower Yakima Valley.

杨澜韩红上综艺纷纷 跳闸 网友:你们真的不适合|脱口秀

Transcripts for BBCNEWS BBC News 20210531 09:33:00

was a scuffle between the white mob and the black men, quite a number of fatalities, and then later on that day, as we mentioned, hundreds of men and women, white, as well as private planes, dropped kerosene onto the neighbourhood of greenwood, destroying over 10,000 homes and really destroyed the community, in many ways. really destroyed the community, in many ways- many ways. why has this massacre been largely many ways. why has this massacre been largely unknown, many ways. why has this massacre been largely unknown, especially l been largely unknown, especially outside the united states, until recently, patrick? i outside the united states, until recently, patrick? recently, patrick? i think for a variety of recently, patrick? i think for a variety of reasons, recently, patrick? i think for a variety of reasons, to - recently, patrick? i think for a variety of reasons, to be - recently, patrick? i think for a i variety of reasons, to be honest. recently, patrick? i think

Good Move Media Picks up Rights to Ancient Soul Ethno-Fiction From the Sulphur Mines of Java

Good Move Media Picks up Rights to Ancient Soul Ethno-Fiction From the Sulphur Mines of Java Patrick Frater, provided by FacebookTwitterEmail Specialist sales agency Good Move Media has picked up international rights to “Ancient Soul,” which had its world premiere in March at the Berlin Film Festival. The film, aka “Mbah Jhiwo,” is a Spanish-produced docu-drama about life in the Sulphur mines of Java, Indonesia. It was directed by Alvarro Guerra and will next play at the DocumentaMadrid festival. More from Variety Pitched as ethno-fiction, the film follows a man who hand carries huge rocks of Sulphur from the mine, sees his routine radically altered the moment his wife goes away. Trapped like Sisyphus into an eternal return, the man will face similar events that mutate in appearance as his beliefs move from animism, to Islam and capitalism. An ethno-fiction that explores otherness and questions the myth of progress in the neocolonial reality of the South Seas.

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