their ugliest places and just what she wants from people is, you know, their true authentic all their ugliness, all of it. in their true authentic all their ugliness, all of it. their true authentic all their ugliness, all of it. in one sense, she was dancing ugliness, all of it. in one sense, she was dancing on ugliness, all of it. in one sense, she was dancing on her - ugliness, all of it. in one sense, she was dancing on her own - ugliness, all of it. in one sense, she was dancing on her own at l ugliness, all of it. in one sense, l she was dancing on her own at the academy awards, the power of the dog did not win any other oscars though it was nominated for 12. but it was still sweet victory. for only the second time in history, japanese film won for best international feature in the category that used to be called best foreign language film. the prize went to drive my car, a three hour epic which has mesmerised film critics in los angeles, movie fans and quite obviously, acad
highlights of the biggest night of the year for hollywood. of course, some great movies were rewarded, but a shocking incident involving one of the world s most famous movie stars ended up defining the proceedings. laughter oh, wow! will smith losing his composure and slapping chris rock in full glare of a global audience changed everything at the 94th annual academy awards. keep my wife s name out of your.mouth! anne thompson was in the auditorium when it happened. there has never been anything as shocking as that. ifelt like i had been punched in the gut. | it was really frightening. all over la and around the world, will smith slapping chris rock after he made a joke about his wife was the subject of animated discussion. movie fans on hollywood boulevard were still talking about it several days after the event. they did not think it would harm the standing of will smith.
by denis villeneuve which won six oscar trophies, more than any film. may his passage cleanse the world and keep the world for his people. it picked up academy awards for cinematography, editing, score, visual effects, production design and sound. of course, there were other prizes handed out on oscars night and many different nominees, including a young student film makerfrom poland who gave us an inside look into his oscar night adventures. before this year s oscar ceremony, i was reading up on the academy awards, doing some research, and i came across an article about directorjane campion that pointed out that she is the most decorated female film maker in the world. that made me stop in my tracks that is quite an achievement. now she has a best director oscars trophy to add to all that decoration, what does it mean? emma jones reports. jane campion.
herself as a queer performer. i am an openly queer woman of colour and i think that just proves that there s space, there s space for us and it s a beautiful moment to be seen and i am really honoured by that. this is the time to think. about making a new start. i know nothing else but belfast. exactly. there is a whole world out there. belfast, a kenneth branagh semi autobiographical memoir of his belfast childhood. and action! finally brought him, a seven time nominee, an oscar, a trophy for best original screenplay. i had hoped belfast would have taken home more prizes, but it faced stiff competition. sir kenneth had spent some time in la prior to the oscars in an effort to win votes for a film which is in many ways very much about him. this is your most personal film to date. do you think it has changed you? making it as a person, has it made it you into a better human
for me, it sjust her film making. ijust wanted to be a part of her type of storytelling and the way she portrays people in, like their ugliest places and somehow, what she wants from people, is, you know, theirtrue, authentic. all the ugliness, all of it. in one sense, jane campion was dancing on her own at the academy awards. the power of the dog didn t win any other oscars, although it was nominated for 12, but it was still sweet victory. for only the second time in history, a japanese film won for best international feature in the category that used to be called best foreign language film. the prize went to drive my car, a three hour epic which has mesmerised film critics, cineastes here in los angeles, movie fans and, quite obviously, academy voters.