yourself. this is what is happening at the moment, this continued upgrade to a more immersive 3d environment. i mean it sounds amazing. for me, the ultimate would be on centre court for a wimbledon final. so how soon will this become accessible to people? as you say, you need a vr headset or something of that nature to make it happen, i presume? yeah, at the moment we re seeing this is a big limitation that not many people have vr sets today. what we re seeing is this technology is being introduced into 3d gaming environments, for example, and you mentioned wimbledon and being on centre court. wimbledon already has launched its own wimbledon in the road blocks gaming platform so people get a wimbledon experience and can steer their little avatars into the wimbledon grounds and explore it and watch watch. [30 wimbledon grounds and explore it and watch - watch. . . it and watch - watch. do you think - bernard,
to try and shoot as much in camera possible. it always seems to be the best result. but the coolest trick is that the angles shift dynamically, an effect known as parallax. we can get an understanding of how the parallax works as the camera moves. and you can see background moving with the camera. yes, to try and maintain the realism of us being in a 3d environment. at the heart of the space is one of sony s cinema venice cameras shooting in resolutions up to 8k. it is important to know what the virtual camera needs to do in order to make the real camera as believable as possible. to achieve this, a tiny camera sits on top of the big camera. tracking a smattering of infrared dots around the room. because there is a pattern, they know exactly where the camera is. and as for the virtual side of things? the virtual camera
the best result. but the coolest trick is that the angles shift dynamically, an effect known as parallax. we can get an understanding of how the parallax works as the camera moves. oh, yeah. and you can see background moving with the camera. yeah, to try and maintain the realism of us being in a 3d environment. at the heart of the space is one of sony s cinema venice cameras shooting in resolutions up to 8k. it is important to know what the virtual camera needs to do in order to make the real camera as believable as possible. to achieve this, a tiny camera sits on top of the big camera, tracking a smattering of infrared dots around the room. because there is a pattern, it will know exactly where the camera is. and as for the virtual side of things. so, the virtual camera and real camera is working together in harmony. we know where the camera is moving, is the focus changing,
of a similar geographer it offers us a new approach to what would traditionally have been green screen. the key difference, of course, is that we can actually see onset in real time the environment and famously that is what filmmakers have always tried to do, to try and shoot as much in camera possible. it always seems to be the best result. but the coolest trick is that the angles shift dynamically, an effect known as parallax. we can aet an effect known as parallax. we can get an an effect known as parallax. - can get an understanding of how the parallax works as the camera moves. the parallax works as the camera moves. ~ , ., , camera moves. and you can see background camera moves. and you can see background moving camera moves. and you can see background moving with - camera moves. and you can see background moving with the - background moving with the camera. , ., y background moving with the camera. , ., , ., camera. yes, to try and maintain camera. yes, to try and maint
and famously that is what filmmakers have always tried to do, to try and shoot as much in camera possible. it always seems to be the best result. but the coolest trick is that the angles shift dynamically, an effect known as parallax. we can get an understanding of how the parallax works as the camera moves. and you can see background moving with the camera. yes, to try and maintain the realism of us being in a 3d environment. at the heart of the space is one of sony s cinema venice cameras shooting in resolutions up to 8k. it is important to know what the virtual camera needs to do in order to make the real camera as believable as possible. to achieve this, a tiny camera sits on top of the big camera. tracking a smattering of infrared dots around the room. because there is a pattern they know exactly where the camera is. and as for the virtual side of things? the virtual camera and real camera work together in harmony.