money in government still limits public gatherings so no music festivals forbid you could play. it s not like it was before the war for us artists but we hardly play in bamako. the artists are scared to sing at certain places. this stops us suffer because of this issue is singing again in this studio working on her 1st album she does not know where she will perform it in mali but she keeps scoring. we have to stay together as mali and nothing is better than peace music is my weapon through music i can talk to the children of mali speak for them and speak for the women who had vision or who live from. aims to restore hope yet she too becomes emotional about the situation around her today she has
awful because a whole review is singing again in this studio working on a 1st album she does not know where she will perform it in mali but she keeps scoring. we have to stay together as mali and nothing is better than peace music is my weapon through music i can talk to the children of mali or speak for them and speak for the women who have this form. because you aims to restore hope yet she too becomes emotional about the situation around her today she has a very special audience it is public yet hidden from the temporary shelters for full army people all largely unnoticed in the market because you performs for them about 800 people if you re they had to leave their village after it was attacked by a rival group they say the children just want to hear you sing with
doesn t have to push me to do so we say good morning sister very nice to see your sister this is not a moment you see is in fact an award winning the senegalese urban soul and hip hop star and activist invited by his stage name system she is breaking taboos by returning to her home country to talk about this issue she joins been. writing out a bit of material magic the house you grab and then to kyra i can see and this is just like the one behind this right here in the end there that people that you re a living reading and. want to might have bright years since 2001 right they look like they wanted to show me that. there s a lot there were. 3 were right your 1st album definitely. i remember when the 1st time the show had the t.v. here i was also as i think here and i remember my cousin just come to my cave i did the t.v. actually it was just like. you
push me to do so we say good morning sister phone very nice to see your sister this is not a moment to use in fact an award winning the senegalese urban soul and hip hop star and activist. by his stage name system she is breaking taboos by returning to her home country to talk about this issue she joins big. time and. i ve been writing out a lot of material magic the house you grab and then to kyra i can see a business like the one behind this right here in the middle of everything that people that you re living reading and. want to might have right here since 2001 right if you look at it right he wanted to show me that. there s a lot there were. 3 were right your 1st album definitely was nearly everybody even the 1st time the show had the t.v. here i was also as i think here and i remember my cousin just come to my cave i did the t.v. actually it was just like. you
and very wide eyed and without experience. i always believed i would do what we did. 1st album hit the charts with a bullet and i went, that s cool. we realized we were more of an album act and people weren t getting what horns were. where is the strings? there are not strings on the saxophones. they didn t know about it. it was the start inception of horn bands. walt was eternal opt mist. we were on the way to a gig. i don t know what i associated hey walt, you think ever have a cashmere suit? i don t know. walt was, are you kidding? you will have 200 of them. this was the concept he totally