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Shoot Out the Lights—in truth many of the best breakup ballads were written by songwriters for hire who happily went home to their spouses at the end of the day. Tammy Wynette’s “D-I-V-O-R-C-E” wasn’t written about a real divorce, either, but that doesn’t diminish its impact any. Gillespie and Beth were so enamored of the form they had to invent a marriage just to kill it. Utopian Ashes commits fully to its premise, flaunting the many ways that a sad song can be dressed up. On opener “Chase It Down,” it’s with disco strings and a wah-wah pedal right out of a Tom Jones record. For “Remember We Were Lovers,” it’s with bluesy Memphis horns, and on the Summer of Love-hued “Stones of Silence,” it’s with kaleidoscopic the Mama’s & The Papa’s vocal projections. Each arrangement is staged for maximum melodrama. They flirt with camp without ever succumbing to it.

Tom jonesEmmylou harrisBobby gillespieJehnny bethTammy wynetteLee hazlewoodUtopian ashesPrimal screamBob dylanMarvin gayeLinda thompsonNancy sinatraGram parsonsWere loversSticky fingersHeart will always be broken