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Purcell and Nissen Richards rework Wordsworth Museum in Lake District

Purcell and Nissen Richards rework Wordsworth Museum in Lake District 17 May 2021 By Rob Wilson, photography by Gareth Gardner 1/46 Source: Purcell Source: Purcell Source: Nissen Richards Studio Source: Nissen Richards Studio Source: Nissen Richards Studio Source: Nissen Richards Studio Source: Nissen Richards Studio Source: Nissen Richards Studio Previously disparate buildings – including Wordsworth’s home, Dove Cottage – have been reconfigured and extended in the redevelopment The museum at the edge of Grasmere in Cumbria sits in the landscape that profoundly inspired Wordsworth, a place he called ‘the loveliest spot that man hath ever found’. Advertisement It reopens to the public today (17 May) following the five-year, £6.5 million project, which was supported by The National Lottery Heritage Fund. The project was won by Purcell and Nissen Richards Studio in 2016 and was led for Purcell until 2019 by Rob Gregor

Nissen Richards designs gallery and branding for Wordsworth museum

May 12, 2021 4:59 pm Nissen Richards has designed the gallery, branding and wayfinding for the Museum at Wordsworth Grasmere. The museum is the former Lake District home of the English Romantic poet William Wordsworth and his sister Dorothy, and is dedicated to his life and work. Work to renovate the museum has been ongoing, with the studio initially tendering for the project almost five years ago, working alongside the architects for the refurbishment, Purcell. The final stage has now been completed in time for it to reopen to the public post-lockdown on 17 May. “We needed to nuance the journey carefully” Nissen Richards director Pippa Nissen says the motivation for the project was to engage visitors with the poetry itself. The team also wanted to showcase Wordsworth’s “radical” attitudes for his era.

The five biggest exhibition design stories of 2020

The five biggest exhibition design stories of 2020 In a year where many cultural institutions were closed, exhibition designers had to adapt and often bring the museum experience into our own homes. December 18, 2020 12:58 pm Non-Pavilion, a VR installation at the V&A for last year’s London Design Festival How would the badly-hit exhibition sector return after the first lockdown? The Design Museum’s headline exhibition, Electronic: From Kraftwerk to The Chemical Brothers, had been set up before lockdown and its organisers revealed to Design Week how it had been adjusted accordingly. As well as mandatory masks and hand sanitiser stations, bike capacity had been doubled so that people would not have to take public transport and the capacity was halved (the museum had to open late to cover a shortfall in ticket sales).

40 under 40: reflecting on the class of 2005

AJ 40 under 40: reflecting on the class of 2005 Rob Gregory, one of the previous 40 under 40 , recalls the experience and speaks to some of the others who featured in the 2005 list I took a punt when I entered the AJ’s 40 under 40 in 2005 as my career had been relatively unremarkable. Having walked away from a potential route to partnership at Feilden Clegg Architects to do time on Hopkins’ Manchester Art Gallery and Allies and Morrison’s Royal Festival Hall, I was two years into a 15-year detour from conventional practice. Out of the loop, I had no idea if my contribution to the profession was noteworthy or, for that matter, what noteworthy actually meant.

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