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The Quietus | Features | Craft/Work | Big Dick Energy: On Matthew Barney s Redoubt

Matthew Barney: Redoubt at the Hayward Gallery – open yourself to something weird and spectacular

The maverick artist’s latest exhibition weaves Ovid’s ‘Metamorphoses’ with modern and ancient American myths about nature, camouflage gear and dance

Matthew Barney: Redoubt, Hayward Gallery the wild west revisited

The focal point of Matthew Barney’s Hayward exhibition is Redoubt, a two-and-a-quarter-hour film projected on a giant screen that invites you to immerse yourself in the rugged terrain of the Sawtooth Mountains in Idaho The focal point of Matthew Barney’s Hayward exhibition is Redoubt, a two-and-a-quarter-hour film projected on a giant screen that invites you to immerse yourself in the rugged terrain of the Sawtooth Mountains in Idaho, where he grew up. The entrance ticket allows you to watch the film at home, yet while I was there almost everyone stayed the course, which is remarkable given that there’s no dialogue.

Matthew Barney: Redoubt review – intriguing brew of sharpshooters, bears and strange goings on in the forest

Matthew Barney’s Redoubt at the Hayward is a bewildering and intriguing litany of objects and fleeting, capricious images. At its heart is a feature-length film whose themes and images are continued and compounded by several monumentally scaled sculptures and a long series of engraved, etched and otherwise chemically treated and electroplated relief copper plates. Craft tips into alchemy, materiality into magic, film into myth-making and.

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