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Poetry Today: Kazim Ali and Tommye Blount « Kenyon Review Blog

Credit: Tanya Rosen-Jones Kazim Ali was born in the United Kingdom and has lived transnationally in the United States, Canada, India, France, and the Middle East. His books encompass multiple genres, including the volumes of poetry  Inquisition,  The Far Mosque, winner of Alice James Books’ New England/New York Award;  The Fortieth Day;  Bright Felon and  Wind Instrument. His novels include the recently published  The Secret Room: A String Quartet and among his books of essays are the hybrid memoir  Silver Road: Essays, Maps & Calligraphies and  Fasting for Ramadan: Notes from a Spiritual Practice. He is also an accomplished translator (of Marguerite Duras, Sohrab Sepehri, Ananda Devi, Mahmoud Chokrollahi and others) and an editor of several anthologies and books of criticism. After a career in public policy and organizing, Ali taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary’s College of California, and

Barbara Rose—art historian and critic who ushered in Minimalism and championed women artists—has died, aged 84

Barbara Rose who has died, aged 84 courtesy HBO Barbara Rose, an art historian and champion of avant-garde 20th century art, died on Friday (25 December) in Concord, New Hampshire, aged 84. The cause of death was breast cancer, which Rose had been diagnosed with a decade before her death. After her landmark 1965 Art in America essay “ABC Art,” which helped define Minimalism, brought her to prominence, Rose would spend the following five decades as a writer and editor, holding editorial roles at such publications as Art in America, Vogue, Artforum, and the Partisan Review. In the late 1960s, Rose authored the book

Art historian Barbara Rose—Minimalism cheerleader and champion of women artists—has died, aged 84

Art historian Barbara Rose—Minimalism cheerleader and champion of women artists—has died, aged 84
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Los mejores libros de 2020

Los mejores libros de 2020
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Serenity, even a kind of nobility : Notes on a trailblazing-yet-forgotten American artist, Alethea Hill Platt

Platt family collection. The painter Alethea Hill Platt spent the first half of her life in comfortable obscurity, painting for her own pleasure in a Greenwich Village town house. But in the 1890s, she was forced out of her home and scrambled for income. She nimbly reinvented herself as a fixture on the Manhattan art scene. Fig. 1. The Maine Coast by Alethea Hill Platt (1860– 1932), c. 1918. Signed “Alethea H. Platt” at lower left. Oil on canvas, 14 by 18 inches. Photograph courtesy of Skinner, Inc. She joined forces with women painters organizing exhibitions nationwide. She won acclaim for a kind of Ashcan school take on rural scenery in Europe and the United States, depicting fishermen, farmers, and craftspeople laboring in dimly lit cabins or outdoors by moonlight. The

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