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Exhibition at Michael Werner Gallery features two of James Lee Byars s most ambitious works

a href= https://www.michaelwerner.com target= blank Michael Werner Gallery /a , London is presenting James Lee Byars: The Milky Way and The Star M

New yorkUnited statesAl qahirahMexico cityDistrito federalWhitney museum of american artCity ofUnited kingdomRivoli museoMuseo jumexSchirn kunsthalleArte contemporaneaJames lee byarsRed brick art museumCentre del carmeMuseum of contemporary art

Matthew Barney: Redoubt review – intriguing brew of sharpshooters, bears and strange goings on in the forest

Matthew Barney’s Redoubt at the Hayward is a bewildering and intriguing litany of objects and fleeting, capricious images. At its heart is a feature-length film whose themes and images are continued and compounded by several monumentally scaled sculptures and a long series of engraved, etched and otherwise chemically treated and electroplated relief copper plates. Craft tips into alchemy, materiality into magic, film into myth-making and.

United statesSawtooth mountainsNorman mailerAnette wachterGuardian matthew barneyJames lee byarsMatthew barneyForestry departmentAncient eveningsJames leeWatching virginஒன்றுபட்டது மாநிலங்களில்ஸெடவூத் மலைகள்நார்மன் அஞ்சல்னெட்டே வச்சிதேர்ஜேம்ஸ் லீ பியர்ஸ்

Matthew Barney: Redoubt review – intriguing brew of sharpshooters, bears and strange goings on in the forest | Video art

Matthew Barney: Redoubt review – intriguing brew of sharpshooters, bears and strange goings on in the forest | Video art
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United statesSawtooth mountainsNorman mailerAnette wachterJames lee byarsForestry departmentMatthew barneyAncient eveningsJames leeWatching virginஒன்றுபட்டது மாநிலங்களில்ஸெடவூத் மலைகள்நார்மன் அஞ்சல்னெட்டே வச்சிதேர்ஜேம்ஸ் லீ பியர்ஸ்வனவியல் துறை

Beyond abstract expressionism: MoMA rethinks the art of the 1950s

Beyond abstract expressionism: MoMA rethinks the art of the 1950s Installation view of Degree Zero: Drawing at Midcentury, November 1, 2020February 6, 2021 at The Museum of Modern Art, New York. Digital Image © 2020 The Museum of Modern Art, New York. Photo by Robert Gerhardt. by Roberta Smith (NYT NEWS SERVICE) .- As exhibitions go, Degree Zero: Drawing at Midcentury at the Museum of Modern Art is a relatively modest undertaking. After all, it is simply a show of 79 drawings from the museums permanent collection, a kind of potpourri, if you will. But it is also an ambitious effort selected and installed with great care by Samantha Friedman, an associate curator of drawings and prints. You sense a fresh point of view almost as soon as you enter the gallery.

New yorkUnited statesMuseum of modern artSouth koreaJean dubuffetArthur mctaggartMorita yasujiSamantha friedmanLouise bourgeoisIgbo uliSari dienesBeauford delaneySaburo murakamiOsawa gakyuJoan mitchellDick higgins

Beyond Abstract Expressionism: MoMA Rethinks the Art of the 1950s

Beyond Abstract Expressionism: MoMA Rethinks the Art of the 1950s A selection of 79 drawings from the collection recasts the most celebrated decade in American art as less American. Uche Okeke’s drawing “Design for Iron Work I” (1959) in the show “Degree Zero: Drawing at Midcentury” at the Museum of Modern Art.Credit.Uche Okeke and Skoto Gallery; Museum of Modern Art May 7, 2021 As exhibitions go, “Degree Zero: Drawing at Midcentury” at the Museum of Modern Art is a relatively modest undertaking. After all, it is simply a show of 79 drawings from the museum’s permanent collection, a kind of potpourri if you will. But it is also an ambitious effort selected and installed with great care by Samantha Friedman, an associate curator of drawings and prints. You sense a fresh point of view almost as soon as you enter the gallery.

United statesSouth koreaJean dubuffetArthur mctaggartMorita yasujiOkeke igboSamantha friedmanLouise bourgeoisIgbo uliSari dienesBeauford delaneyOsawa gakyuJoan mitchellDick higginsJames lee byarsDorothy dehner