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How Alessandro Cortini Distilled His Haunting Aesthetic Into an Unconventional Synthesizer

Alessandro Cortini is serious about his synthesizers. His studio is packed wall to wall with the vintage, the rare, and the arcane: towering modular rigs, vacuum-tube drum machines, obsolete-looking computer monitors, not to mention a bevy of coveted devices from every maker under the sun. When Cortini moved from Los Angeles to Berlin a few years ago, he affixed a GPS tracker to the shipping container carrying his gear, just so he could keep tabs on his precious cargo. Who knows what he would have done had the ship gone down in a storm; commissioned a team of salvage divers, perhaps.

Caterina Barbieri: Fantas Variations

Bandcamp / Buy Caterina Barbieri recently recruited a diverse array of musicians from around the world to reinterpret “Fantas,” a bracing 10-minute composition from her 2019 album Ecstatic Computation. The piece, which opens with wispy synths that give way to glowing orbs of sound that dart about in interlocking shapes, is engrossing in the same way watching an incoming storm can be; it provokes constant anticipation, the complex swirl impossible to take in all at once. Barbieri’s music reflects a longstanding interest in the tension between the mechanical and the emotional, how one can blur or melt into the other. It’s a quality that many of the contributors here miss, and

2021 Sundance Film Festival Review – John and the Hole

2021 Sundance Film Festival Review – John and the Hole Directed by Pascual Sisto. SYNOPSIS: While exploring the neighbouring woods, 13-year-old John discovers an unfinished bunker – a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. Pascual Sisto’s directorial debut  John and the Hole offers up a twisted, polarity-reversed take on Home Alone minced through the chilly, darkly comic nihilism of Yorgos Lanthimos, testing not only the nature of parent-child relationship dynamics but also the audience’s capacity for mannered, often unexplained strangeness.

John and the Hole review: Home Alone as a chilling psychodrama

Polygon’s entertainment team is logged on to the , which has gone virtual for the first time ever. Here’s what you need to know about the indie gems that will soon make their way to streaming services, theaters, and the cinematic zeitgeist. Logline: One day, 13-year-old John (Charlie Shotwell) drugs his family and dumps them into a deep pit in the woods. Then he makes risotto. Longerline: Being a teenager sucks, but for John, the transition from aimless child to accountable grown-up is a crushing existential dread that’s left him numb. Suddenly, his math teacher expects him to solve square roots off the top of his head. His older sister (Taissa Farmiga) snips at him for repetitively bouncing a ball against her wall. Even the way his parents (Michael C. Hall and Jennifer Ehle) see him as a functional individual, asking him questions about his life and nurturing his love of tennis, seems treacherous through the fog of being 13. John takes this all in unfazed stride, but as he

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