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In memoriam: Shirley Arora, 90, professor emerita of Spanish and Portuguese

Courtesy of the Arora Family Charitable Foundation Shirley Arora April 20, 2021 Shirley Arora, professor emerita in the UCLA Department of Spanish and Portuguese, died March 23 in Lake Oswego, Oregon. She was 90. During her 37-year career at UCLA, Arora became the first woman to chair the Spanish and Portuguese department, a position she held for 10 years. She was a member in key campuswide committees, including the Council on Academic Personnel, and she was the president of the Faculty Center. Arora retired from UCLA in 2000, the same year she became the founding trustee of the Arora Family Charitable Foundation. In 2003, she established an endowment in the Spanish and Portuguese department to support graduate students. Over the course of nearly two decades, the Dr. Shirley L. Arora Graduate Fellowship Fund has provided financial support to more than 30 graduate students. In 2005, the department honored Arora with the distinguished alumni award.

United statesLake oswegoStanford universityShirley aroraLos angelesRicardo palma tradiciones peruanasRosina becerraBc brian morrisWolfgang miederAmerican folklore societyPortuguese departmentArora family charitable foundationDepartment of spanishFaculty centerCouncil on academic personnelShirleyl arora graduate fellowship fund

Project MUSE - Journal of American Folklore-Volume 134, Number 532, Spring 2021

Project MUSE - Journal of American Folklore-Volume 134, Number 532, Spring 2021
jhu.edu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jhu.edu Daily Mail and Mail on Sunday newspapers.

United statesAmerican folklore societyAmerican folkloreஒன்றுபட்டது மாநிலங்களில்அமெரிக்கன் நாட்டுப்புறவியல் சமூகம்அமெரிக்கன் நாட்டுப்புறவியல்

Historic Cold Cases: Five Ancient Archaeological Murder Mysteries

Thought to be the first Egyptian mummy to reach Northern Ireland, according to The University of Manchester “there is a rich history of testing Takabuti since she was first unwrapped in Belfast in 1835,” as part of the mummy trade that followed the Napoleonic Wars. The hieroglyphs on her painted coffin provided experts with several clues as to her identity, namely that she was called Takabuti, lived in Thebes and was the wife or mistress of a noble. Takabuti is now housed at Ulster Museum in Belfast. 2,600 years after her death, advances in technology are allowing scientists to delve into her identity in new and unprecedented ways.

United kingdomUnited statesBlack isleCzech republicNorthern irelandSachsen anhaltFriedrich klopfleischBreclav castleKai michelFrank ramsthalerHarald mellerUniversity of saarland institute for forensic medicineUlster museum in belfastUlster museumChristopher rynn university of dundeeUniversity of manchester

Could Donald Trump become an American folk hero? He s got what it takes: True believers

Could Donald Trump become an American folk hero? He s got what it takes: True believers
yahoo.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from yahoo.com Daily Mail and Mail on Sunday newspapers.

Donald trumpAmerican folkloreAmerican folk heroDemocrats and republicansJohnny appleseedFolk figuresBabe ruthFictional charactersடொனால்ட் துருப்புஅமெரிக்கன் நாட்டுப்புறவியல்அமெரிக்கன் நாட்டுப்புற ஹீரோஜனநாயகவாதிகள் மற்றும் குடியரசுக் கட்சியினர்ஜானி ஆஃப்லஸீட்நாட்டுப்புற புள்ளிவிவரங்கள்குழந்தை ரூத்கற்பனை எழுத்துக்கள்

Hurston CFP 2021 : CFP: Edited Volume on Zora Neale Hurston

proposals due April 5, 2021 In her 1942 autobiographical work, Dust Tracks on a Road, author and anthropologist Zora Neale Hurston openly declared her desire to expand the focus and direction of African-American literature, indicating not only that “I was and am thoroughly sick of the subject [of the race problem in the United States]” but that she was interested in exploring “what makes a man or a woman do such-and-so, regardless of his color” (713). And while discussions of race inherently pervade much of her work, this artistic and ideological perspective the need to “tell a story the way I wanted, or rather the way the story told itself to me” (713) played a significant role in shaping Hurston’s literary works throughout her storied career. Whether it was using dialect to construct the African-American voice in text, driving down the coast collecting stories from Black folk whose voices had long been ignored, or delving into the lives of a white married couple in

United statesPolk countyWilliam bradford huieRuby mccollumZora neale hurstonLangston hughesKwame anthony appiahWallace thurmanHarold bloomChristopher allen varlackCudjoe lewisCharlotte masonGuggenheim foundationWorks progress administrationDust tracksCritical perspectives