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Last modified on Wed 14 Apr 2021 12.10 EDT
Straight out of film school, aged 22, while her peers were off interning, Kendall Goldberg directed her feature debut, this offbeat, earnest movie about a quarter-life crisis (released in the US in 2018). That’s an undeniably impressive achievement, and the film has some interesting ideas about overparenting and how grown-up kids can buckle under the pressure of Mum and Dad’s expectations. But otherwise it feels a bit generic – shuffling the pack of quirky indie movie cliches, not quite funny enough to be a comedy but with too little authentic emotion to work as drama.

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