Announcer artworks is made possible in part by the mpt new initiatives fund founded by irene and edward h. Kaplan. Rhea welcome to artworks mpts new series about fascinating artists. Some are established, even famous, and others are emerging into their own. And a few just defy definition. Im rhea feikin, and i hope youre as excited as we are about this new arts venture that shares artists profiles across the country. Were proud that mpt plays a part. Our cohost is kwame kweiarmah, artistic director for centerstage in baltimore. Welcome, kwame. Thank you, rhea. Tonight, we explore the work of photographer terry gydesen. Shes spent her career photographing some of the countrys iconic political and cultural figures; from Jesse Jackson to prince. Her goal, capture a split second that endures through time, revealing personality and passion. Terry for me, theres a difference between a photograph and a picture. A photograph is a snap. A picture is something that really says something, thats going to stand the test of time, that people can look at a hundred years from now and learn something from it, or be intrigued by it, or poses more questions, perhaps. Im terry gydesen, and im a freelance documentary photographer. The documentary part for me has always been the most interesting form of photography. Im not as much of a director, i like to go into a situation of chaos and find the picture. And i dont set things up with any of my work. Ive been pretty lucky at finding images that come together, and when it looks right, i push the button. The political work, ive always, ive gone for not necessarily the candidate whos going to win, its more of the passion. You know, sometimes the underdog, sometimes people that im, i completely have opposite views of. I was just starting my career when the opportunity came along to be Jesse Jacksons photographer. It was peoples reactions to jackson which, to me, was the most amazing part. And theres just so much more than you can learn about a story by looking at the edges rather than just the central attention. I went right from jackson to wellstone because all the jackson people were working on paul wellstones campaign. Id never heard of paul wellstone. A friend of mine had said that oh yeah, you should follow him, youll probably like him. You know, he doesnt have a chance of winning, but youll probably like him. And i thought, you know, okay. And i did like him. And he was very unusual going in and hugging everybody. And he was this little guy and he had all this energy. So he was really interesting. When i heard the news of his death, i rushed right over to the office and documented that time period. And then shortly after that time, university of Minnesota Press asked me about doing a book, a collection of photographs. The book is definitely an archive of, for me, one of the greatest politicians minnesotas ever had. I had to go through 12 years of my life, looking for what might be the important images. The photo of them thats on the cover of the book, i remember the moment very clearly because it was on election day of 96 and it was supposed to be his last time he was going to run. So it was like, oh, this is going to be the last hurrah, and i was back. There was this platform on the back of the bus and we were in uptown, we were having a great day, they were driving all through different places. There was another picture on the same roll that is from the inside of the bus that shows the two of them. I love that picture, and that was the one i always chose. And then it was going through the proof sheets when i was editing for the book that i discovered that one, and, you know, right away i just thought, ok, its a great moment and it really captures their energy and spirit probably better than any other photograph i ever made of them. Because ive been photographing politics for so many years the type of picture im looking for sometimes i dont even know, except that i am looking for metaphors that speak either about the candidate, the issues at hand. I think it was at the Republican Convention that year actually, that year, 92, with george bush, and pat buchanan was giving his speech and slamming the media, slamming liberals gays and lesbians. And like i fell into all these categories and people were cheering as he condemned these people. And im in the middle of the floor going, oh my god this is, this is scary. So i think maybe one thing im trying to do is maybe wake people up a little bit to Pay Attention and to be involved. Im most known for the political work, i think, probably because of the wellstone book. But basically im a storyteller, and i love telling stories. Ive done projects on homeless mothers in transition, i did a project for the History Center on minnesota snowbirds. You know, for a while i had a column in city pages called terry gydesens daybook. And it was a great little thing where every tuesday i brought a new photo in that was. You opened up page 3, it was right there. And it was no cutline, it was just, it had to be a good photo. And i still try to pretend that i have that, you know, just a daybook, you know, slice of life pictures. So, i mean, i try to do that a lot, of just whats around me, whats in my own backyard, you know, whats on my walk today. Id gotten a phone call from another photographer who had told me that prince was looking for a photographer. And its a long story on how the whole thing happened, but i ended up being hired to document his 1992 tour to europe. And it resulted in a book of photographs called prince presents the sacrifice of victor. His title, not mine. The parts that were most fun was actually the afterconcert gigs, because hed have the concert and hed go and jam for two, three hours. And thats where i made, you know, some of my best pictures because then it was a different kind of a thing, there was more audience interplay, everything was closer, it was very intimate. You know, one of my favorites was after he had just jammed for, like, 45 minutes on one song at the end, and he went down behind stage and just laid back on the floor. And theres almost sort of this religious nature of him stretched out like christ on the floor, in a way. Probably the best part of the experience was seeing what a genius he is, a musical genius. And to be able to have this record of that period of time recorded, again, ties into my whole feeling of, like, wanting to be a visual historian that leaves a record. And this is definitely one of minnesotas greatest artists and it was a privilege for me to be able to watch him make his music and just observe that artistry. The idea of whats happened with digital and how its changed photography as an art form and theres such a need for instantaneous photos, and people want them up on this website or on facebook, and all of that, instead of, you know, just taking the time to look, frankly, first, instead of just shoot, shoot, shoot, shoot shoot, shoot, shoot, look later. I still prefer an image that can really tell a story within that one image that will hold the attention and bring that intrigue in, and bring the questions in, maybe in some cases bring the horror in to have people take action. Rhea to see more of terry gydesens work, visit her website at terrygydesen. Com. During the war in iraq, many museums were destroyed, and ancient artifacts and priceless works of arts were lost. Baghdad artist Farooq Hassan fled iraq for the United States during this turbulent time. He left behind a life of comfort and international acclaim. He also lost a lifetime of paintings and his reputation as one of iraqs most prized artists. Youll see how the artist has reinvented himself in portland, oregon. His life style has simplied, but once again, his work is hanging in exhibitions and gaining new recognition. Reporter its a far cry from his fivebedroom mansion in baghdad. Farooq hassan turns an already tiny apartment kitchen into his art studio. Farooq when i work i like to hear music, classic always classic. Reporter but as long as he has canvas and paint, farooq is satisfied. Farooq i feel inside me, inside my soul, that this painting is the only one here. Its the only thing in here. So actually, i dont feel that im in a small place. Its just me and the painting. Reporter without skipping a beat, farooq carries forward the art career he started more than 50 years ago. Farooq i tried to test many kind of style when i was young and i continue. Reporter over the past 50 years in iraq, farooq mastered so many styles so diverse you might think the work came from several different artists. His work hung in galleries in london, amman, jordan, and at home in basra and baghdad. The Iraqi Government contracted with farooq to design more than 80 different stamps. The people of iraq knew the art of Farooq Hassan. In 2010, farooq fled to the United States and left behind all of his work, and his fame. Its like losing yourself. Farooq yeah, of course. But i try to renew myself. Reporter farooq took his paintings to the geezer gallery in multnomah where curators embraced his art immediately. Curator well, without a doubt, he was extremely experienced. His layout, his form his design, color. He was magnificent. He is into that masters quality. Obviously a lifetime of artwork. Reporter the gallery is hanging farooqs solo exhibition. Curator he is flourishing. And what a thrill to be a part of that. Today farooqs paintings strike a similar central theme. Farooq i want to create a beautiful painting. The first thing i choose the women. The women is beautiful. Of course. Theyre beautiful. I believe the women is the origin of the life. Reporter youll find examples of veiled women in farooqs earlier work. Today farooq has done away with the veil. Farooq this woman is the truth. The truth is open. But the untrue is covered. Cover their mind, cover their brain. Here indeed i feel complete freedom without any feeling of something who watch me what i do, and what i paint, or what i think. Here i have freedom, i have freedom here. Reporter once a National Treasure of iraq, Farooq Hassan starts over as a complete unknown in a new country and begins the process of rebuilding his reputation. Kwame to see some of farooqs work, visit geezergallery. Com gallery. By the way, this unique gallery showcases senior artists and supports the creation of senior talent and art therapy. The online gallery features many of these artists works. Check it out. Rhea the famous plaza hotel is one of only two hotels designated as National Historic landmarks in new york city. The plazas illustrious visitors included the vanderbilts and the beatles. Perhaps the most famous resident of the plaza is fictional the heroine of the Childrens Book series, eloise. Yet, theres one little known part of the famed plazas history that author patty farmer just recently revealed in her book, the persian room presents. Reporter you would think with a Legacy Property like the plaza hotel in new york city, each story surrounding the place would have already been told. When patty farmer moved into a renovated condo in the hotel she found that assumption to be way off the mark. Patty farmer i kept hearing about this persian room, this nightclub that used to be there many years ago and through research i found out it had been there for four decades, and i had never heard of it. A lot of people have never heard of it. And i wanted to know more about it, so i went to the management of the hotel and asked to look in their archives. And maria, they looked at me like i had green hair. They said, archives . We have no archives. The plaza hotel and i thought that was shameful. I said, youve been here 100 years, you have nothing . The beatles were here. Marilyn monroe was here. They said, we have an odd picture or two, but no archives. Reporter so a few phone calls later, a curiosi quest took on a whole new purpose. And the result . The persian room. Patty so i was lucky enough to be able to talk to some of the greats marge champion, andy williams, jack jones, patty paige, laney kazan, and they put the heart into it. The way they had it set up was prior to the show, the maitre de would tell the entertainer who was in the audience because any given night, the celebrities werent only on stage, it was always in the audience. Kind of like vegas in the old days. After people did their shows they would go to the persian room and catch another show. So the maitre di told carol, you know, all the people that were in the audience and had to be recognized. And he was a hungarian gentleman, and he said oh, were so lucky. We have someone here, but you cant mention him. He cant be mentioned. He cant be mentioned. Mr. Cary grant. So carol did her opening bit and then she got to the part and she said, oh, Ethel Mermans here and this ones here, and that ones here. And she said she couldnt help herself. Finally she said to the audience, she said we all know theres an elephant in the room and im not supposed to mention him, but i have to mention him. Mr. Cary grant, thank you so much for coming. And she said she saw him at this little table back there. He stood up, he folded his napkin, put it down. And she thought she blew it. She thought he was getting ready to leave out that door that he was right by. But then he walked to the front and the audience went crazy, they stood and clapped. And he went up to what was the stage, although it was ground level, and she put on her best fanny brice voice and said oh, youre gorgeous. And he dipped her over and kissed her and said, right back at ya. Reporter a kiss worth sharing. The intimate setting of the persian room lasted until 1975. Patty found that the stories live on quite vividly with those who graced the place with their talents. You have been able to garner and gather into your collection a lovely clutch of gals that talk about their experiences and are very frank and very forthright about how outrageous that period of time was. Patty absolutely. You had Connie Stevens, and michelle lee, and the wonderful lani kazan, dianne carroll, who carried over from the 50s, into the 60. In the 70s you had rosalyn kind, and kay ballard, and, you know, the 60s were crazy times, and Connie Stevens met Eddie Fischer at the persian room, eloise was born in the persian room. So there was a lot going on. It was a crazy time. Rhea patty farmers book the persian room presents, is available in ebook or hardcover. Kwame our last artist today defies definition. Baltimorebased nathan bell, a one man band, uses a bow fingers, pick and clawhammer to create new and unexpected sounds from his banjo. Bell also plays trumpet, bass, guitar, and drums, with a wide range of musicians in the us and abroad, channeling a dynamic range of musical influences. Hes on a perpetual quest to create music that is universal and pure. Rhea nathan bell has performed with bands in the United States, gemany and brazil. You can listen to music from his albums at nathanscottbell. Com. And now its time to take out your calendars. Heres art events in our area that you wont want to miss. That wraps it up for this edition of artworks. We hope youre intrigued by the exploration of creative lives that we would have no access to otherwise. For more arts and culture, visit mpt. Org artworks and youll find feature stories, upcoming arts events, and more. Im rhea feikin. And im kwame kweiarmah. Please tune in next week for more exciting stories. Thank you so much for watching. Announcer artworks is made possible in part by the mpt new initiatives fund founded by irene and edward h. Kaplan