A few years ago, i attended a public event at sfaliason, i dont know if you were there but it had a huge impact on me. I went to hear alaferalaison speak and instead a heard a neuro biologist and a snow flake scientist and tj clark who is an arc historian. It was amazing, it was the most amazing night. And we have actually modeled our Public Programs off of that event ever since. We like at the Arts Commission to broad a broader dialogue around the works that we show. Not just having the artists themselves present, but to present different ways of thinking about their work, different ways of thinking about contemporary art in general. And leaving you thinking, as you leave. So, tonight we have someone from young and we have a photographer who is not in the show, alongside of our current existing artists. If you like this program, you will like other things that we do in terms of our Public Programs. Tonight, we will hear our featured artists and then from the invited guests who i will introduce. If there is time i will direct a couple of questions in their direction. There will be no q, and a, tonight this program was not designed as a dialogue and we hope that you will attend before it closes. We are going to start with the artists. Brenda, snosa who is in the blue shirt, he works in amsterdam and received his ba and his ma in 2005 from the frank mart institute in holland. He has exhibited in tipai, pa ris, and many others and now san francisco. Last mobsinger he opened his first large scale solo expedition at land of tomorrow in kentucky, which i didnt know about. I encourage you to look up that institution. It is an incredible, incredible space. And program. His work resides in the sachi and smithsonian and others. He has written about in art publications his work was recognized by Time Magazine as one of the top ten inventions of 2012. It is represented by lonkini gallery in london and now i would like to have him come up and speak. [ applause ] im benat and based in amsterdam and i want to show you some works. So, my work and installations, and sculpture and photos and site and working on the architecture or the history of the location. I am interested in a motion of friction between construction