♪ [applause] >> keep the applause going for the fabulous lisa malone. that was just terrific. [applause] i almost wore the same thing today. [laughter] would have been so awkward. [laughter] no, she was fantastic. now, everyone, without further ado, ladies and gentlemen, please welcome our host, the 43rd mayor of the city and county of san been cisco, the honorable edwin m. lee -- the 43rd mayor of the city and county of san francisco. [applause] mayor lee: wow, welcome to city hall. and thank you, beach blanket babylon. what a wonderful performance. let's give her another hand. that was just fantastic. when i started being mayor of the city, i turned to our protocol officer and said, "you know, charlotte, we are going to do a lot of work this year, but these years forthcoming, as we work hard, i want to also have fun. isn't this fun? all right. [applause] this is our 50th anniversary of the wonderful song, "i left my heart in san francisco." tony, it is wonderful for you to be here and grace us and honor us with your presence. your 17 grammys are just so unprecedented. you just won two more this past week, and what a wonderful career. congratulations, tony. i want to thank our school of the arts. i want to thank our boys and girls choruses. thank you. wonderful performances. it is a fitting tribute that our boys and girls choruses and ouryouth -- our yout are here today to perform because they reflect tony's dedicated career to ensure the future of arts education. we have seen what he has done and seen what his support is, and he is encouraging youth to be leaders on and off the stage, to make sure they grow up with the values and the shared values that he has. this is such a wonderful opportunity. i also want to thank some of the school kids especially here today. we have kids from our tenderloin community school. thank you for being here. [applause] all right. we also have, for the first time, at the request of -- the idea ofcesa -- that cesar chavez elementary school wanted us to webcast this live, so we did it for them. wherever you are, welcome. [applause] tony, for 50 years, you have helped us not only remember a great song, but whenever any of us leave our town, we always come back and call san francisco our home. i know we talked a little earlier and tried to recall that wonderful initiation where in 1961, you first sang that song in the venetian room up at the fairmont. little did you know at the time that then mayor george christopher was in the audience with joe alioto. it was such a marvelous performance that when joe became mayor, he adopted that as one of our two official anthems. thank you for performing first in san francisco. [applause] tony, you have helped us celebrate so many milestones in our city. you have helped us after earthquakes to come back and revive the spirit of our wonderful city. you have designed the wonderful art pieces to raise funds for those who need that service. you help us to reopen. after earthquakes, you have helped us climb -- not half way, you have helped us climb all the way to the stars with the -- a nation of our cable cars. you have just -- i in your career, you have generated more love and more nostalgic for our bay area -- more nostalgia for our bay area than all the songs and all the movies and all the television shows associated with us combine. for that reason -- it is really for that reason, tony, that it is my pleasure if you would please come up, to declare today, valentine's day, february 14, 2012, as tony bennett day in san francisco. [applause] and also, on behalf of all of us and with all of our love and with all of our hearts together, to present to you the key to the city of san francisco. [applause] >> would you like to say a few words? you have 45 minutes. [laughter] >> well, i would like to thank mr. ralph sharon, my great friend and musician, for finding this song. i was in little rock, arkansas, and we were on our way for the first time in my life. he found a song, and he said, "why don't we do this in san francisco?" i said ok, and i have no idea, but there was a bartender who said, cassette and i don't mean to interrupt your rehearsal, but if you record that song, i'm going to be the first customer -- "i don't mean to interrupt your rehearsal, but if you record that song, i'm going to be the first customer." as i started singing it, the people came up and said, "you have to record the song immediately." i always thought it would be a local song in the area, but the fact that it has become such an international song throughout the world -- everybody loves it, and they love this city. it reminds me of one time when i was playing the fairmont hotel, gorbachev from russia with here and travel throughout the whole united states and in front of the company could tell, i was listening to him speak about san francisco. he said, "i traveled to every city in the united states, and i was disappointed with what i saw. there was not one city that i liked, but as far as i'm concerned, san francisco is so beautiful that i would like to design 15 cities in russia that look like san francisco." [laughter] and he was right. [applause] my wonderful wife, my family is here. i'm thrilled. thank you very much. i must say -- excuse me, i have to mention one thing. i have never seen anything in my life as beautiful as these young people. [applause] you stand so beautiful. [applause] -- you sang so beautiful. [applause] >> it is tony bennett day in san francisco. [applause] just fantastic. now, before we leave here today, just one more time, let's hear that special song one more time, now performed by the talented san francisco gay men's chorus, who will be joined by -- yes -- who will be joined by all of our performers here today and then all of you. you can sing along by following the lyrics on the screens. ladies and gentlemen, the san francisco gay men's chorus. [applause] ♪ >> ♪ the loveliness of paris seems some house sadly -- somehow sadly gay the glory that was rome is of another day i've been terribly alone and four got 10 -- forgotten in manhattan i'm going home to my city by the day -- city by the bay ♪ >> and now it is your turn. >> ♪ i left my heart in san francisco high on a hill it calls to me to be where little cable cars climb halfway to the stars in the morning fog may chill the air i don't care my love waits there in san francisco of of the blue and windy see -- above the blue and windy sea when i come home to you san francisco your golden sun will shine for me ♪ [applause] >> very nice job, everybody. well, as we close here today, mr. bennett, you have always had the key to our hearts. now you have the key to our city. we hope to see you back here soon in your city by the bay. thank you for this wonderful gift you have given us all these years and thank you so much for letting us honor you today. tony bennett day in san francisco. once again, for the man of the hour. [applause] thank you all so much for celebrating with us today. happy valentine's day. we will see you at the ballpark. >> i'm your host of "culturewire," and today, here at electric works in san francisco. nice to see you today. thanks for inviting us in and showing us your amazing facility today. >> my pleasure. >> how long has electric works been around? >> electric works has been in san francisco since the beginning of 2007. we moved here from brisbane from our old innovation. we do printmaking, gallery shows, and we have a fabulous retail store where there are lots of fun things to find. >> we will look at all of that as we walk around. it is incredible to me how many different things you do. how is it you identify that san francisco was in need of all these different services? >> it came from stepping out of graduate school in 1972. i wrote a little thing about how this is an idea, how our world should work. it should have printmaking, archiving, a gallery. it should have a retail store. in 1972, i wanted to have art sales, point-of-sale at the grocery store. >> so you go through the manifesto. with the bay area should have. you are making art incredibly accessible in so many different ways, so that is a good segue. let's take a walk around the facilities. here we are in your gallery space. can you tell me about the current show? >> the current show is jeff chadsey. he is working on mylar velum, a smooth, beautiful drawing surface. i do not know anyone that draws as well as he does. it is perfect, following the contours and making the shape of the body. >> your gallery represents artists from all over, not just the bay area, an artist that work in a lot of different media. how to use some of what you look for in artists you represent? >> it is dependent on people are confident with their materials. that is a really important thing. there is enough stuff in the world already. >> you also have in his current show an artist who makes sculpture out of some really interesting types of materials. let's go over and take a look at that. here we are in a smaller space. project gallery. >> artists used the parameters of this space to find relationships between the work that is not out in the big gallery. >> i noticed a lot of artists doing really site-specific work. >> this is a pile of balloons, something that is so familiar, like a child's balloon. in this proportion, suddenly, it becomes something out of a dream. >> or a nightmare. >> may be a nightmare. >> this one over here is even harder to figure out what the initial material is. >> this is made out of puffy paint. often, kids use it to decorate their clothes. she has made all these lines of paint. >> for the pieces we are looking at, is there a core of foam or something in the middle of these pieces that she built on top of? >> i'm not telling. >> ah, a secret. >> this silver is aluminum foil, crumbled of aluminum foil. her aesthetic is very much that quiet, japanese spatial thing that i really admire. their attention to the materiality of the things of the world. >> this is a nice juxtaposition you have going on right now. you have a more established artists alongside and emerging artists. is that something important to you as well? >> very important in this space, to have artists who really have not shown much. now let's look at other aspects of electric works operation. let's go to the bookstore. >> ok. >> in all seriousness, here we are in your store. this is the first space you encounter when you come in off the street. it has evolved since you open here into the most amazingly curious selection of things. >> this was the project for the berkeley art museum. it was -- this is from william wiley's retrospective, when he got up onstage to sing a song, 270 people put on the cat. >> it is not just a bookstore. it is a store. can you talk us through some of your favorites? >> these are made in china, but they are made out of cattails. >> these pieces of here, you have a whale head and various animals and their health over there, and they are jewelry. >> we do fund raisers for nonprofits, so we are doing a project for the magic theater, so there are some pretty funny cartoons. they are probably not for prime time. >> you sort of have a kind of holistic relationship where you might do merchandise in the store that promotes their work and practice, and also, prince for them. maybe we should go back and look at the print operation now. >> let's go. >> before we go into the print shop, i noticed some incredible items you have talked back here. what are we standing in front of? >> this is william wiley, only one earth. this is a print edition. there are only eight total, and what we wanted to do was expand the idea of printmaking. this is really an art object. there we go. >> besides the punball machine, what do you produce in limited edition? >> there is the slot machine. if you win the super jackpot, you have saved the world. >> what about work? >> the right design, it was three volumes with lithographs in each volume. the cab of count dracula with 20 lithographs inside and lined with beaver fur. really special. >> let's move on to the print shop. >> ok. the core of what we do is making things. this is an example. this is a print project that will be a fund-raiser for the contemporary music players. we decided to put it in the portfolio so you could either frame at or have it on your bookshelf. >> so nonprofits can come to you, not just visual are nonprofits, but just nonprofits can come to you, and you will produce prints for them to sell, and the profits, they can keep. >> the return on investment is usually four times to 10 times the amount of investment. this is for the bio reserve in mexico, and this is one of the artists we represent. >> you also make prints for the artists that you represent. over here are some large prints by a phenomenal artist. >> he writes these beautiful things. anyone who has told you paradise is a book of rules is -- has only appeared through the windows. this is from all over coffee. we are contract printers for all kinds of organizations all across the country. >> thank you very much for showing us around today. i really appreciate you taking the time to let me get better acquainted with the operation and also to share with our "culturewire" team. there are so many ways that the internet provides real access to real people and resources and that's what we're try to go accomplish. >> i was interested in technology like video production. it's interesting, you get to create your own work and it reflects what you feel about saying things so it gives perspective on issues. >> we work really hard to develop very in depth content, but if they don't have a venue, they do not have a way to show us, then this work is only staying here inside and nobody knows the brilliance and the amazing work that the students are doing. >> the term has changed over time from a very basic who has a computer and who doesn't have a computer to now who has access to the internet, especially high speed internet, as well as the skills and the knowledge to use those tools effectively. . >> the city is charged with coming up with digital inclusion. the department of telecommunications put together a 15 member san francisco tech connect task force. we want the digital inclusion program to make sure we address the needs of underserved vulnerable communities, not communities that are already very tech savvy. we are here to provide a, b and c to the seniors. a stands for access. b stands for basic skills and c stands for content. and unless we have all three, the monolingual chinese seniors are never going to be able to use the computer or the internet. >> a lot of the barrier is knowledge. people don't know that these computers are available to them, plus they don't know what is useful. >> there are so many businesses in the bay area that are constantly retiring their computer equipment that's perfectly good for home use. computers and internet access are helping everybody in the community and people who don't have it can come to us to help with that. one of the biggest problems we see isn't whether people can get computers through programs like ours, but whether they can understand why they need a computer. really the biggest issue we are facing today is helping people understand the value of having a computer. >> immediately they would say can i afford a computer? i don't speak any english. how do i use it. then they will start to learn how to do email or how to go back to chinese newspaper to read all the chinese newspaper. >> a lot of the barrier still is around lack of knowledge or confusion or intimidation and not having people in their peer network who use computers in their lives. >> the important thing i learned from caminos was to improve myself personally. when i first came to caminos, i didn't know anything about computers. the second thing is i have become -- i have made some great achievements as an individual in my family and in things of the world. >> it's a real issue of self-empowerment where new immigrant families are able to communicate with their families at home, able to receive news and information in their own home language, really become more and more connected with the world as well as connected even inside their local communities. >> if we value the diversity of our city and we value our diverse neighborhoods in the city, we need to ensure that they remain economically viable. equiping them and equiping residents in those areas with jobs that will enable them to stay in san francisco is critical to that. >> the important thing that i see here at caminos is it helps the low income community, it helps the women who wouldn't have this opportunity otherwise. >> the workers with more education in san francisco are more likely to be able to working that knowledge sector. where they are going to need that familiarity with the internet, they are going to find value with it and use it and be productive with it every day. and half of the city's population that's in the other boat is disconnected from all that potential prosperity. >> we really need to promote content and provide applications that are really relevant to people's lives here. so a lot of the inspiration, especially among the immigrant community, we see is communications with people from their home country but we as much want to use the internet as a tool for people to connect within the local san francisco community. >> i think it's our job as public educators to give them this access and give them this opportunity to see that their efforts are being appreciated beyond their immediate reach. >> you av