so i have a lot of information. the problem is when you have to portray somebody from the 15th century and -- well, you may have some paintings that you can based upon a little bit of the looks but what do you do? how does he talk? how does he move? so much material about dezzy he was very reachable really to encapsulate what the person rep cemented for so many people. >> i love that answer. and that speaks to something we think we need to watch these things of, you know, what was the reality of the situation. that's why art moves us because we get transported and the human essence that doesn't change as much. anger is anger, love is love. 100 or 1,000 years later. let look at a little bit of you doing this. here is a clip from the film. >> raised me from when i was age