Your both a. Long long. Night you know. You're the ones my God. The girls both. Thought oh my god. My whole life go by the Bible should be. Called the generation don't leave me. Alone because of. The business. Of its type located good. Stuff. He said but mix must keep the people who think it would need God to pick up all. The. Old you. Know. That's the wrong wrong wrong wrong wrong wrong wrong for a. Long long long long. Long life right. No the regular truth. It's awful lot that. Ruffle a lot that. If you. Do a lot they thought they. Would read you from all this. That it doesn't because they seem to be. Following. Deepest deepest groove just as in any noise shape or rough out there from the new Take. Taken aback about 20 years to his album house tales Robert Mirrorball of the tells public hunting party it was Bill Fleck and Abigail Washburn with Take Me to Harlan from echo in the valley a committed couple of years ago I just stumbled on a youtube video of the 2 of them I think is a place magazine in their. Tape Library they set it up with a Persian rug and some microphones and they did such a wonderful sat and talked and danced everything thought it down pull that record out and play some for you today Bela Fleck and Abigail Washburn and we remember Leonard Cohen with democracy it's undercurrents on your radio thank you so much for tuning in and if you're just joining us welcome but remember Prince now this is from the 1996 album emancipation. undercurrents don't touch that dial have mercy. The beat the song the be. With the. The banks. The big the big the big the beat the bank. Remembering Rick Ok said the car's too late from really terrific album came out in 2011 move like this the car's billions in the b. Of G.'s rock and what's key after all musty narrow definitely Cuban inspired you know his dad was an orchestra conductor and a concert pianist and a Cuban connection comes because. You know as a year Billy is always banging on things all the time and he has said you he want to learn about rhythm and I guess I guess he was a teenager by then and he said yeah so he sent them to to live with his friend for a while in New York City Tito Puente the great player and he got schooled in Cuban rhythms and even though we think i'm scared like a southern rock you know blues based guitarists which he is has very much influenced by Cuban music and he celebrated in this record perfect moon Billy Gibbons in the b.s. He's Billy Gibbons known for his work was easy top and we remember Prince with the right back here in my arms from emancipation Hey thanks for being with us this hour I'm Greg MacVicar undercurrents is produced at Radio cap with support from the Corporation for Public Broadcasting the friends of undercurrents and stations like w.s.d. Alan Salisbury Maryland and care c.b. In Santa Rosa California when you search for undercurrents radio you'll find the playlist and more this show number 5142. Program director here at j.p. Our life's volume seems to be set at maximum lately angry talking heads feeling cable news social media distracting at every turn and pounding pop music everywhere the noise level is high but cuts through the noise with the service that values space and space to emphasize not who speaks loudest but who communicates best space to embrace the spoken word not to shout it catchphrase we celebrate diverse voices moving conversations forward we showcase musicians who push at the edges of art and we provide a home for the rich legacy of recorded music it's not easy to rise above the noise we need solid shoulders to stand on yours if your current supporter or sustaining member thinks if not please contribute today at i.j. P.r. Dot org. This is j.p. Southern Oregon University's Jefferson Public Radio 89 point one k s m f national n.p.r. News and all things music. All Was. Looking for. Life. On. What lies are. These huge unsigned tickets. And I know you didn't live these are. Not new. To. New Order but. Are you. Truthfully.