And by contributions to your pbs station from viewers like you. Thank you. Tavis just great charlie harkers reef but brilliant live comes to full focus in this important tome by cultural critic and jazz historian Stanley Crouch titled kansas city lightning, the life and times of Charlie Parker. Stanley crouch joins us now from new york. First, a look at the great Charlie Parker in concert, from 1951. They say music speaks louder than words. Tavis stanley, im glad to have you on. That missed our by asking why, given his huge impact, that so little has been written about Charlie Parker . A lot of what has been written is basically what they call urban legends these days. Which means exaggerations and fraud. Tavis why exaggeration and fraud about Charlie Parker . See, he provides for the average reader a lot of andhes about black people jazz musicians, about drugs, and people tend to gravitate towards those things. Book, itarted the actually realized through my mother and father, both of who grew up in the 1930s, that black americans went through the depression in a very different way than they were usually written about. For instance, they knew they were not the fools you saw an american movies. They also knew that the people they saw on the news reels were actual people. , Marian Anderson, joe louis. Those were actual people. Tavis give me some sense of why im not naive and asking, but why is it that that part of the story about Charlie Parker up until your wonderful work, tends to overshadow his artistic genius . As you know, tavis, its always easier to focus on something that everybody else can do. Everybody can get high. Nobody can play like Charlie Parker. What i was trying to do in the book, i was trying to show that he is actually an epic hero in than he had the wheel, even when he was strung out on drugs, he 1015e will to practice hours a day. He was going to conquer that saxophone and he was going to come to understand music, and he was going to make himself into a person who could play anything. He wanted to play beautiful music. All of these people in kansas city, black, white, but particularly in the black section that is usually not assumed to have any taste or any culture or any ambition, its just, you know, they are just statistical figures. All these people had a concept of worth. They had a concept the fundamental gift that black American Culture has two america is a nuanced vision of the grandeur of the human heart. Charlie parker, he felt all of that. It was coming and them from every side, all these people. The challenge is to actually provide the reader with a feeling of that era and a feeling of the grandeur of the people, that they are not just statistics, that is the lower class. One thing that Ralph Ellison used to always say to me is that people have their own dreams about life. They did not look at themselves in terms of the stereotypes about them. A lot of what the book is is an attempt to show why a guy could actually be attracted to music at that time. Part of what comes out for me in the book is that what, to some degree, drove charlie to practice 10 plus hours a day was initially being booed off the stage by some of those negroes you just referenced a moment ago. Am i misreading your text . No. You see, the thing was, Charlie Parker was a very spoiled guy. He jumped up on the bandstand with the saxophone, thinking he could play, but he couldnt play. So they laughed him off the bandstand. Was going to become the greatest saxophone player in the world. He couldnt really hear what was being played at first. His great achievement from jazz people, they performed what we called multitasking then on the bandstand. They made what they were going to lay fit with all the other notes, and everybody in the band did that. So its a supreme achievement in performing arts that have never been recognized. Just perhaps because of who did it. Tavis tell me how you went about doing the research on this. This is the first of two volumes, and his first volume deals with the early life of Charlie Parker. Give me some sense of what you had to do to connect the dots on this door he . On this story . The first thing is, i had to go to kansas city, but i also had the luck of finding his first wife and giving her her first interviews. Rebecca parker, who, when she married him, was rebecca ruffin. She told me all kinds of things about Charlie Parker that set up the form of the book, because she would say, like, charlie would always ask you questions, but at first he was very silent. He wouldnt talk much. But after a while, we got around him and he started to have fun, and then he started to ask questions about the world. Because he was a very curious person. Said, he had to ask people because his mother basically didnt tell him anything. So he learned a lot of things just by being inquisitive. Worked in theshe school library, Charlie Parker would sit out there while he was working in the Library Reading all these books about religion in different cultures, because he was interested in the world. All of these guys were interested in the world some kind of way. And Charlie Parker, i have found, always gravitated to somebody who would help him closer to what he was trying to do. So by the time he gets to bob and theyeets read a lot of books and they talked about all of that. Interested ine thinking, and we didnt think there was something wrong with that. Tavis but how does this curiosity, tell me more about how his curiosity connected to his playing. How does the thinking come forth playing . The the first thing is, Charlie Parker mastered the saxophone and created another kind of rhythm that had not been played in jazz before. That rhythm was very intricate. His style became a high level of virtuosity and great precision. What he was always trying to do he was rebecca said, trying to get himself audible to you. The person than he really was, he wanted you to hear that when he was playing. That didnt make him different from any other musician, but he just had so much more talent than other people, that he could actually be kind of devastating when he learned how to play. People knew that they were hearing something. Tavis part of trying to get himself to us audibly resulted in his neglecting pretty much everything else. The one thing you have to love about Charlie Parker is that he was never unfaithful to the music. He dedicated himself to that. But juxtapose to me what he and band and what he abandoned in lieu of what he dedicated himself to fulltime, his music. There is a bittersweet side to his story, but there always is a bittersweet version of an epic hero in ethology. Charlie parker is as close to a superhero as someone can be. He could is the way he could play was on a superhero level. But that didnt mean he was a perfect person. They are always screwed up. That is a hard fact, but many people who are gifted are also messed up. Charlie parker, the only way he could redeem himself to you or anybody else was to play so beautifully that you would see the essence of him as opposed to his shortcomings. The way he could play like my father told me, he saw some women who were so hung up by was playing,parker they wet their seats rather than go to the bathroom while he was playing. [laughter] all of these people, its just like my mother. Im talking to her about bonnie and clyde, and she said yes, i know them. She said they used to stay across the street from me, bonnie and clyde. I said why . She said well, it was segregation, and the police apparently didnt think that these two outlaws would stay in the black community in east texas, but they did. And i saw a pretty boy floyd, too. You get a completely different sense of the world than what you see in newspapers or books. Tavis as i said before, i know this is the first of two volumes. When you have the second volume out, i suspect you will come back again and we will talk more about it. But to advance the story, parker is dead at 34. Does he have any knowledge by the time he passes away of the impact that he is having, has had on jazz, or is that something he never is aware of . He is just trying to get the best of himself to us audibly, but without any knowledge of what he is doing to the music . He was a very aware man. He knew what he was doing, but he also told some guys at one point when they were talking to him about using drugs, he said, well, perhaps i will be the best example of why not to use drugs. Guyother thing, he told one know, theyre going to end up putting you in a can. You know, that will be able to take your sound, as much as they want, and put it in another place, and put your sound back in the can. He said your future, my friend, is in a can. So he was talking about sampling, and it didnt even exist at that time. He could see already, because he paid so much attention to technology and innovation, that at some point your sound could be taken out of its context and put in another context, and then put back. Tavis what did the other musicians who were notable in this era obviously there were many, i wont start to run the list, but how was he regarded by the other players . I mean, he kept them so in awe, because he could play so well. Headnt heard anybody had a new sound, but he could play so well he actually intimidated most people. Tavis let me split that up and take it in two parts. So you intimidate people, and you inspire people. How does one go about perfecting ones craft when jazz is obviously an ensemble effort . Hear themselves and play your note when your turn comes. How does one improvise when one knows that he is intimidating other people . Gregs he didnt think about that. He was trying to find people who wanted to play with him, he wanted to play with them. This thing is that the collective achievement of jazz is that everybody figures out yow to make impotency empath the strongest part of their playing. That is the grandeur that comes out of afro American Culture. That empathy is the Strongest Force between human beings. Is that whenn somebody wants to play with you, theyre going to try to figure out how to sound good with you. And Charlie Parker did that. Everybody else did that. That is what all of them together were trying to do. Lets make a sound that is good. Is as why i say that jazz statically as of youically the meaning poor booth you know him the unum. G of e pluribus all of these individuals remained individuals, but then you had to play together. Tavis so that is the intimidation part. The inspiration. How did charlie and his gift inspire others . Music, you basically cannot explain where melody comes from. You can follow the logic of a melody, but its not like harmony. In harmony, you can figure out Different Things to get certain results. ,ut to make a beautiful melody it almost has to seem to come out of nowhere. Charlie parker was so melodically gifted that people would sit there she was like sinceeatest improviser Louis Armstrong, because that was what Louis Armstrong did, too. Here he is a country boy from new orleans, and he sang all these beautiful phrases. The thing to me is that jazz actually figured out jazz musicians actually figured out how to put an uneducated musician together with a sophisticated musician and sound good. Know, they always had to figure out what does the black lower class actually mean . What does it tell us that we could all learn from . And that, in jazz, is always the issue. The power of the human being is greater than the obstacles. Tavis is there a spiritual dimension to Charlie Parkers playing, to his gift, and i dont mean spiritual in terms of religiosity. You know what i mean, dont you . Right. He was, in reality, a very spiritual guy, because the first notesis, he knew that the dont care who plays them. And he knew that all music came , thatomewhere inside you the high road to yourself is inside you, its not inside somebody else. So all of these things that he experienced when he was a kid in kansas city, all the different situations, he was constantly seeing people do things and produce things. And theyre up session with beautiful things was something that he took very, very seriously. All of the guys did. Duke ellington took it seriously. That comes oute always kind that is of like family. It is kind of familial. , whenever you hear makes youother, that think about something that is not trivial, because of your relationship to your mother. What i was trying to do in the book was just use different words again and again, or use a structure so that they would connect you to different times in this mans life. I was also trying to get the. Eeling of the time ,he people were so optimistic and that is why when charlie and rebecca, sitting at the movies, looking at Marian Anderson on the newsreel, that was a major event. People say, how do you know that Charlie Parker even saw that . Minute, Charlie Parker was interested in life. Not noticek he would if Marian Anderson was singing in washington dc to 75,000 people . Parkerdoes charlie become Charlie Parker if he is not raised in kansas city . We cant imagine that. Now, he would have been a superior musician if he had stayed in any other city in the world, but kansas city was so corrupt that you could actually play all of the time. So Charlie Parker would be playing and he would go to jam sessions, and then he would go to the park and play. Then he would sit up indepth sitting on a bench all by. Imself playing saxophone you could do that in kansas city. You could actually sit up and play in the park, and the cops never bothered him. The neighbors never bothered him, the community. The people were like so oriented to serious music, that you could be playing all the time. Me,s say a final word to and to the audience, about the abiding lesson to us that we can learn from Charlie Parker about the dedication to craft. Well, the thing that he showed you, shows all of us, is how powerful the individual actually is. ,o matter what obstacles are that the person fundamentally decides to do his or her best, they can get far above many of their obstacles. That is the basic thing we are trying to get through to young people now. You dont have to be a genius. Tells you to be a jerk, you dont have to do be any of that. I have often thought about people like you and ben carson. About you had thought all at the start, they could never have imagined where you all would end up. See, that is a basic american story. All the stuff would complain about and dislike, thats true, too. Not all of it, but there is tavis smiley, oprah winfrey, duke ellington, all of you can do, and you did. That is not a joke, that is a fact. We can move forward on the basis of that knowledge, about the power of human beings. That is what i think. Tavis he worked on this book for 32 years. It is the first of two volumes. It is about time that Charlie Parker gets the respect in print that he does. Parker. Led charlie stanley, congratulations on the text. Thats our show for tonight. Thanks for watching, and as always, keep the faith. For more information on todays show, visit tavis smiley at pbs. Org. Tavis hi, im tavis smiley. Join me next time for a conversation with acclaimed poet and essayist Nikki Giovanni on the release of her favorite her latest. Her latest tome that is next time. We will see you then. And by contributions to your pbs station from viewers like you. Thank you. Be more. Pbs. Coming up, a Progress Report on the realignment experiment. Uc president Janet Napolitano to keep it accessible and aforble. Well fight for tuition free and not just this year but overall. Silicon valley startups reach for the final frontier. Time and time again it invents new industries. The quest to explore space