Transcripts for KMUD 91.1 FM [Redwood Community Radio] KMUD 91.1 FM [Redwood Community Radio] 20191021 020000

7 in the pm you are junior Redwood community radio. In the long list of running jazz show on the north coast of California Lester leaps in heard every Sunday night here on the months from 7 to 9 pm. At which time it is time for nothing but the Blues nothing but the best in the blues from the north to the south from the east to the west. For the next 2 hours it is nothing but American classical music. Is read with community radio team the governor Bill 91 point one f.m. Came used to recreate it when f.m. And k.l.a. I Laytonville 90.3 f.m. . With. For the. The wire. And. It was for. The 4th. It's. And here as from the opium the real electrify an 80 Harris Larry gales in the bass Bill Henderson on the piano and Carl Burnett on the drums and that is from 1982. Real nice job by everyone on that composition is called essence of matter and. Right now. We're going to listen to something from the David Murray Tet for 8 LP called New Life actually we're going to listen to. The title track. Right. Right right right. Little little little. Thank you. So. Who's. Going to admit it. It's a great degree. Greater You know why how about that music lovers have a sunny state and his orchestra on prestige or records while Sonny Stitt on the tenor sax their course one of the greatest Also sax players of all time and I think after. Hearing him do after you've gone there we can consider him one of the great tenor saxophone players of all time as well before that we heard Aster Peterson from a Oscar Peterson big band record and I'm going to be back a little information a little more information about that it is 738 in the pm you are tuned to Lester leaps in. Northern California's longest running jazz show your family radio host in for John this evening and. Let's get to some more music right away and then I'll be back with a little info on that Oscar Peterson this is Chico Hamilton something a little different for a moment we're going to get back to some more studies that. Lieut Official. Wow. Man. We are really like you can't get in sometimes aren't we had was rattling Jones and the guitar Chico Hamilton from an LP called Chico Hamilton and the player is. In the Congo Steve touré and the electric bass our 3rd boy 8 and the saxophone and will Connell also on the also saxophone and that was recorded in New York in March of 1976 man that was hot the after Peterson trio we heard with the all star big band and all star they were Clark Terry Ernie royal froyo Snooky young and the trumpets Jimmy Cleveland Melba Liston slide here and just drowned by. And James Moody Droom Richardson Selden Powell George Dorsey and the sacrifices Mr Moody doubling on the flute Willie Roaf Julius Watkins Morrissey con and Jim Buffington on the trot French horns and as long as we're at it let's go down Butterfield then on the tube maybe not the largest big band ever to play with that Oscar Peterson but certainly the greatest conglomeration of all stars to ever play with the asker Peterson treat our trio Ray Brown on the bass and as they penned on the drums man that was hot that was I love you in Irving Berlin composition. Preceeding that we heard another I would guess we could call it a semi rarity. We heard. A . Cozy Cole and his organ stewing doing course of street boys and man that was kind of an unusual. Composition I really enjoyed that and then of course as I mentioned we heard Sonny Stitt by request we're gonna listen to a little more Sonny Stitt right now. Along with another all star conglomeration that is going to blow your minds music lovers Howard McGee I love Howard McGee don't you j.j. Johnson the trombone watcher bishop on the bass Tommy Potter on the piano Kenny Clarke on the drums chorus going to cark I believe the original drummer with the Modern Jazz Quartet was there at the birth of bebop as well as McGee these guys were around to write when it all started they're going to do a Charlie Parker tune right now Sonny Stitt on sax. You'll recognize this. Competition as Buzz. You. Sonny Stitt on the saxophone gaited Johnson on the trombone Howard McGee on the trumpet it's. Walter Bishop handling the keys Tommy Potter on the bass and Kenny Clark on the drums and I don't know when that was recorded but let's narrow it down to sometime between 19511959 it's a pretty big range and it's probably recorded after 955 what they call a blow session made popular by. The jazz at the filler monic series that. Was initiated by Norman gran's and continued to have started. Least back in 47 and there's the famous Charlie Parker Dizzy Gillespie jazz at the fuller Monica Carnegie Hall. So that it goes back at least to 47 I think even before that goes up until it's least 61 or 62 perhaps I think I have one. With your friend on it that's from around 61 or 62 so the blow sessions were not always real popular with the with the critics. Because you know there was there was always a desire. Of some of the musicians to to move the music out of the nightclub and into the concert hall and to elevate the music as it were and we heard as. To which we heard John Coltrane. This evening is the 2nd performance we heard him do equinox and you know I did select that because John Coltrane. Humbly went. And you know to the foot of. The gods feet asked of God the ability to make people happy through music and I thought what would be better in making people feel happy so I played that Equinox and I did notice he does have the ability to make you feel happy through music so he was granted that gift through the grace of God and we think God for that and. So that was that was pretty great that was right before the Ed Harris So right now we're going to go back to a more modern blow session i took place in the seventy's which is pretty incredible that some of these guys from the forty's were still around then to get involved in some of these New York City blow sessions that took place in the early seventy's this was going to feature once again Sonny Stitt and Howard McGee and then we're going to hear Dexter Gordon come in and in the middle of Dexter Gordon's solo you know and one of the criticisms of the blow sessions in the concert halls was a little bit of a lack of intimacy. The rounds of applause between the solos would be a little bit over the top sometimes and. You know it was a little more for the chin scratching crowd and. But there's a point in the middle of the Dexter Gordon solo when Sonny Stitt joins in and there are 2 horns just it's likes that puts his horn right inside of Dexter Gordon's and it's they must move away from the my or it loses a little volume maybe I'll turn it up at that moment so it will come through but yeah listen listen closely to those 2 masters get together during Dexter Gordon solo and you will you will love it all right here's a city state Howard McGee Dexter Gordon doing and did he give That's be composition boom bookie.

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