Karen community radio is supported in part by listeners like you and the local pages the local pages telephone books provide free telephone information for local areas all over the nation they focus on personalized in-depth information specific to each coverage area information about the local pages can be found at w w w dot the local Page dot net k k r n thanks the local pages for their generous support of community radio. Program about. True didn't check. And the legendary. Player. Market is the band. California rock. Later when I. Was Freddie fender and. All these musical. Fired a new generation. Tradition. From Albuquerque. Being . Printed 7 years old my dad drove me and my brother to play because. We couldn't get that style of music. To the stage before. I said that's what I want to be. With other here in. California. Emo groomed the rock band to look like a British invasion group boarded his box organ from. Trademark sound went credibility to the quintet mop tops. Despite euro Vogue Augie played the box with Mexico City and learned from players like Flacco he managed by the ninety's and dug joined up with flock of the from Texas tornado and drive even deeper into their native roots spoke to argue could 2015 Ponderosa growing up in and returning to the entire. Country. Left Hank Williams you know. That so I go over. You can't. Argue with. A guitar player. Becoming one connoisseur how much you fly. In town we think of the west side of the classic. Scene like the Among other places my mother had a group. Home. You know that was more African-American or it was more African. And then you had to work. Pop music now where you're growing up. You get involved with Mexican Mexican American culture around you and. Boy if you played a column you go somewhere I mean our primary our core white boy. Band can. Give you. Come on. How is it you end up knowing Doug for 12 years old. And we got to talk and play guitar. Feel good story great guitar Pervan. One piano playing a little bit guitar. Chemistry we talked and Trey baseball cards cards. $141520.00 band together fly and. Fly in a few one prank. You always seem like you were kind of joined and joined at the hip and oh wow yeah a lot of people. Are meant that you've become known for not exactly and I. Got the 1st one. Now as one of your guitar player Brian Foley on the left hand. Corner you. Always treasure Tarlac. When do you and Doug get together and it becomes. Over shows and Doug Band. Of the golden. Employee mark a. Headliner shows. They were going to cancel because they didn't have a walk charter and were broke but I have work to know we have a British English artist for help on that one from under if you get. Back to college. Or back. To. A. Good. Impression of the dead look for. Us to work for. The crazy Cajun producers under one Tom. I want. To get off the boat taxi cabs. People in front of me. For you have to wait in line never write for royal freedom in Iraq AAA thought I was. Pretty far off. That but. What happened and what was the result can we take. After a few years we moved to. California rather and come in the same. That's that is so different than both and being on the road in the south or anywhere. San Francisco to the time of love and sex and. Getting high and. Going all over the world but it was. A kind of a you know Anglo. Conference. You're growing up I even told Doug When move back from California. Something Different what I want you get a volcano I'll get an accordion. He looked at me like a friend but then we didn't know her. Well good trip back and thanks for being with me here on American Routes thank you Past. The 1973 session with. Bob Dylan guitar and backing vocals David Bromberg. Stay away from me originally by the. From the crew did Charlie Pride anybody going to and into our conversation was with Auggie Mark who played organ in accordion with in the quintet and later the tech. Will be back with a man who knew and loved and Freddie Fandor and play with Auggie in its Max Baucus mania when American roots. David Lyons from their charter school you're listening to country r.n. Belive in 88.5 f.m. With studios in Round Mountain and reading American Roots I'm next. Parker grew up in New Mexico. Playing in a band from age 8 after mastering bass and accordion to pick up. A Mexican 12 string instrument he shouldn't take on a. Regular trips to Texas to introduce his sons to the same. Player. Brothers Max Chaney and Jimi channeled the San Antonio sound in forming their own. Pocket. By Max the call inviting him to tour with. He joined the ranks of his musical idol. And reconnected with the Texas tradition. In 1990 back full attention to his own group. The band's record. Won the Grammy for best. New Mexico he was quite popular. I remember going to my dad's. Pretty early to be in the band family you know I got really young my dad had me and my brother. Remember my dad. She brought. In a chair. And I started playing his poker you know. Backed me up and people coming up the stage in the. Coins. With a guitar case. And great man. With. I mean we think of the accordion we think of some of those rhythms having a German background and I think. You know a lot of people don't realize how many. Germans Bohemians. That in foreign country bands and they get the bands and everybody but you you keep that alive there yeah definitely that's what we picked up from you know we heard the Germans playing the accordion and then we said well you know we like that and we're going to try to and I think. One of the 1st I was credited in what the actual recording in 1032. Was and from the real Grand Valley from Texas he was hearing the sounds of the of the Germans that were like in the San Antonio area. To give a part of an ad in the. Place of a very important role in the attacks make sound. The. String guitar with bass strings back then you are doing the bass. You're doing the rhythm of the down. Creating that down Thank you kind of creating a drum to you know you're kind of creating a snare drum you know. When you encounter. Something that you might want to play instead of just typical. Because we could. Have to drive. That's what I want to be. Young you know. My brother we had. A bucket of. Kind of group. Probably the greatest. There. He. Looked. Like he's. One of the rubes of. The week before I've played. With 50 people or whatever and you know. Follow. To 40000 people that's what. This. Clown to our. Thanks to our allies. To our banks. Thanks. To our panel thank you. Tell me about your encounters with. The brain behind there is he was the guy that. Put chemistry together and. We would tour we had a couple of buses we would. Go and we would. Totally loved. The way. But this one time. So everybody you know they. Show up so the next day when the came over. Everybody ate a little bit it's better that she was like that and he was. Giving. Him a little bit better that sometimes you want to hold. You know him and he wrote that song I think your mom needs to be listening. To. The text maniacs I mean you've found the band in in a man to. And then of course. For the. Recording. Groove. Takes me to the next recording that we did. Years. Which I think right now is. You. Know he just learned from his brother. To come over to my house. And he said. Accordion. So. He was jamming. 25 years apart I mean he's 25 years correct. All the traditions Plus rock and roll and blues and jazz and country how do you deal with audience. Are they open. That's a good question because when I 1st came into the band he was all into to the rock and roll into the really. Crazy riffs and so forth so I had to kind of like a Ok that's cool but you need to go back and listen to. Listen to. The old traditional stuff and he did and he would call me and we heard. Him So now we do play we can go from country rock and roll rockabilly kind of straight into. The am. I am. I am. In your own love affair with rock and roll you had a little little moment there with the Rolling Stones recording sweethearts together . Was recorded but tell me about your encounter with Keith Richards Yeah oh we were on tour. And we get backstage. And he talks to. He was the producer so we with the next day to go and. Sit in the corner when I got my boss. Like. The eyeballs. Out of their sockets you know he came up to me. For. Sure so I gave it to him and think your price. Richard my father gave to me when I was young and. Needed. Price I wanted your prize he says laughing like Adam think 20000. Dollars. To get her you know so I did to him What did your dad say when he heard when I finished the tour and I got home and I explained it to my dad he told me but that whole. Week about the factory. Max Baucus. I think with. The. Talking with Max Baucus sexto player and leader of Los Tech's main mix is influenced by all kinds of American roots music including country and western swing and we'll hear a bit of that when American roots return and this community radio in the hill country k k r n Bella Vista 88.5 f.m. Programming supported by listeners like you I'm out burning in Fall River theaters the mountain burning in Fall River theaters have been providing entertainment on Main Street in a small town for decades they continue to show 1st rate movies every weekend in refurbished buildings and now feature digital projection sound in a new comparable cd it's a great movie going experience in 3 member any theater on Saturday nights when available for information on what's playing call 335260 or 336-5030 or go to mom Burney theater dot com or Fall River Theater dot com. American roots the standard San Antonio Rose was originally recorded as an instrumental 938 but. Playboy band members later wrote lyrics of. 40 with vocals were something to country jazz. And Texas Bohemian. Although Bob in Fort Worth and tells c.n.n. Tonio is home to many historic country dances like the nearby green home. Public. You. Are all. Love. Lol and. I this is Willie Nelson you're traveling on America. Higher premiums to Murphy. Comfort. If he brings you. Eat. Then I always give. If you're beat. That matters. Most um. Toddy if you have a. Pot. If the kid drops. Could be a. Deer dropped on. This Amazing Fandor in his bilingual country weeper before the next year dropped for. You emo for records and $975.00 but for that Willie Nelson and the late great price on their $980.00 version of Bob signature song faded love. Before we leave until we have a couple more songs from the scene beginning with Freddy Fender compadre. With another classic you remote production on American or. Our. Viewers where we will. Fit a. Place. Leg. From. The phone number. One of my favorite songs with Bob Wills but updated there by Johnny Bush. It was a great player but I am an out of Indiana and Fiddler Johnny Gimble from Tyler and that is where we will leave it in town on American for. American roots is produced in collaboration with Tulane University's School of Liberal Arts special thanks this week to New Orleans Conor rose a stop coming up in October also did musical advisor Ed. And cosmic adviser Manuel Pena and the late American. American roots editor and managing producer is busy chef and producer. Technical director is Jason Ryan from elephant productions American roots development Lauren Callahan director of station relations mills and we had production assistance from a living abroad and Gregory lifelong American Roots is the fore. Major Grantly actual exam for the Humanities and also by the National Endowment for the. Americas roots music magazine. N o f m at the University of. You can find out more about American roots. And our website. A large time expense or until that time for American roots from p.r. Public Radio.