tatayla parx: : after hahaving the c conversatiois and figuguring it alall out, and us allll being likike, ma. okok, is it woworth it to keep itit in there?e? it i is? let's go.. origiginality isis so much m e abouout taking s something t thu love, , filtering g it throrough your p perspective, filtering g it throughgh your o other influluences, blendingng everythining togeth. and i i think thatat's the thg that s someone likike olivia rodrdrigo does p pretty well. she comes s on the scecene. her r first songng is called "drivever's licensnse". [olivivia rodrigo,o, "drivers license"e"] (singingng) red lig, stop s signs, i ststill see your facace in the w white ca, frfront yards.s. mimikael wood:d: olivia rorod, huge pop s success, obobvious. and a vevery post tataylor swswift kind o of songwritit. an avovowed swiftitie. olivia rododrigo: i'mm just thehe biggest s swiftie in the w whole worldld. so i tweweet about her all l the time.. nate rogogers: this s is also the irony y of the tayaylor swift t situation.n. which isis that olivivia rodri, she sasaid, how shshe wrote ththe song, "d"deja vu". [olivia rorodrigo, "dedeja vu] (singingng) do you g get dejau when shehe's with yoyou?