and then moved to chicago and then moved to nowhere, started at bergdorf goodman. he slowly climbed the ladder. it's not like he came out overnight and was this big star. but he cultivated the woman of new york city, the influential woman. and then when his time came in the late 60s, early 70s, he jumped from european couture to starting something uniquely american. that's what made him completely blow up because it was simple, it was unstructured, it made a woman feel good, and all the women, you know, sort of gravitated towards that scene. >> i loved how liza put it, the clothes danced with you. when you see them, it looks that way too. a lot of the idea -- some of the idea for this film, for this project comes from your relationship with the halston -- with halston's family. can you tell us about that? why were they onboard? what did they want to come out in this film? >> i've known halston's nephew