camille, you've worked on some incredible films. i'd like you to talk me through your creative process. where do you start — does it start with a script, a conversation? usually, it starts with the script, but then i really always like talking to the director. you know, he or she. and for me, it's always, like, figuring out what their aesthetic is. what they like, what they don't like. you know, and just figuring out all those sort of things. and then, also, start with the actor. like, really... i always go through and look at, like, all the looks that that actor has. for me, i'm always thinking, what haven't they had? what can i create for them that's going to be something different so...that's going to put a stamp on this movie that's not going to look the same as every other movie? and, like, even looking at a director, like, what does his body of work look like, or she's look like? what does it look like? what do their movies look like? for me, do they shoot close up or do they shoot far behind? like, how do they shoot? like, do they shoot like...? are they people who shoot very