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in that play, which is based around sort of folk, pagan culture. there's even morris dancing in it. then it begins with a rave. so it's all the things i'm interested in, basically. and that performance as well, by mark rylance, was incredible. and itjust, totally just blew me away. i was just amazed. i wouldn't say he'd read my mind, but it's like, "this is all the things i've been thinking about "for years and years." this tension between city and country, housing, the police, folk culture, rave. itjust had it all, basically. in 2001, you'd already made a piece about community, about conflict, which was the battle of orgreave, in which you used historical re—enactment societies to restage that infamous confrontation between the police and the striking miners in yorkshire. archive: by mid-morning, the picketing had turned i to rioting. eventually, senior officers ordered in the mounted police to disperse the miners. a gap opened and the horses galloped in.

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