of his so—called secret society and the women from his past. what did you make, helen, as you watch that section of the film? i think it's extraordinarily powerful. i mean, we're talking about this in a week in which, you know, serving metropolitan police detectives convicted of a huge number of rapes, you know, with red flags for 20 years back. and i think matt's film makes very clear that there have been a number of red flags that were not picked up on in the background of andrew tate. and again, this speaks to an interaction with technology, which is that misogyny is often the onramp to other types of bigotry. it's often the onramp to far right content, for example, simply because it is so nebulous, so widespread so low levels tolerated. you know, the idea that womenjust need a smack is actually something that you can get away with saying, on pretty much every social network in the way that you cannot say overtly racist things. and so andrew tate had to push it a long way before he eventually got banned from all these social networks, which, as matt demonstrates, because he then had other people filling in, posting his content was not necessarily as effective. and, you know, this is somebody that elon musk brought