more even in the first part. the first art more even in the first part. the first part is _ more even in the first part. the first part is still _ more even in the first part. “iie: first part is still available more even in the first part. tie: first part is still available on bbc iplayer, and so if you're going to go and see the souvenir part two, you need to have seen the souvenir part one, it won't make any sense of uniting the first one. the first one is a stand—alone movie, the second one is not. i thought it was great. you see a film being made, it is to do with the artistic licence, and what i love about it is it is deeply personal, it isjoanna hogg making a film which is semi—other —— autobiographical. more efficient in this when the first from. you can watch two seconds of this and know it is joanna watch two seconds of this and know it isjoanna hogg. find watch two seconds of this and know it is joanna hogg-— it is joanna hogg. and there is something _ it is joanna hogg. and there is something very _ it is joanna hogg. and there is something very touching - it is joanna hogg. and there is | something very touching about it is joanna hogg. and there is i something very touching about it. it is joanna hogg. and there is - something very touching about it. it can get criticised, people say it is achingly middle—class and some people have a problem with that, but this is about the central character coming to terms with a traumatic death of her boyfriend. yes! that's the fun death of her boyfriend. jes�*z that's the fun michael thing death of her boyfriend. iesi that's the fun michael thing through it, and i thought it was examined very, very cleverly. i