the little bears but big bear got sick. lossesjob and his insidesj sick. lossesjob and his insides turned — sick. lossesjob and his insides turned black. _ sick. losses job and his insides turned black.— sick. losses job and his insides turned black. ., ., , , ., turned black. you get a sense from that sort of — turned black. you get a sense from that sort of sombre _ turned black. you get a sense from that sort of sombre creepy. - turned black. you get a sense from that sort of sombre creepy. i - turned black. you get a sense from that sort of sombre creepy. i want | that sort of sombre creepy. i want and it's a film about which is about social problem, domestic abuse, poverty. 0n the other hand it's a fantasy film. if you think of gail modell toros backbone which is make specific reference to it does nothing about melding reality and fantasy. i think this is only partly successful. there are some bits in it there like creature feature like pumpkin head. there are other things in it that are really about the grim, gritty reality of life. i don't think they fully got the parts to match up with that but i do think it's interesting to see somebody trying to tell an important story through the horror of fantasy genre. i think the problem is, it's hollowing, people go to movies or scares, if you're looking forjump scares, if you're looking forjump scares it doesn't really have that many of them. if you're looking for something that is flat social commentary it got too much fantasy. anyway the two halves don't quite match up. but it's ambitious and