for me, it is her film—making, i wanted — for me, it is her film—making, i wanted to— for me, it is her film—making, i wanted to be a part of her type of storytelling and the way she portrays people, at like their ugliest— portrays people, at like their ugliest places and somehow, what she wants_ ugliest places and somehow, what she wants from _ ugliest places and somehow, what she wants from people, is, you know, they're _ wants from people, is, you know, they're true, _ wants from people, is, you know, they're true, authentic, all the ugliness. — they're true, authentic, all the ugliness, all of it. in they're true, authentic, all the ugliness, all of it.— they're true, authentic, all the ugliness, all of it. in one sense, jane campion — ugliness, all of it. in one sense, jane campion was _ ugliness, all of it. in one sense, jane campion was dancing - ugliness, all of it. in one sense, jane campion was dancing on i ugliness, all of it. in one sense, | jane campion was dancing on her ugliness, all of it. in one sense, - jane campion was dancing on her own at the academy awards, the power of the dog did not win any other oscars although it was nominated for 12, but it was still sweet victory. for only the second time in history, a japanese film won for best international feature in the category that used to be called best foreign language film. the prize went to drive my car, which has mesmerised film critics here in la, movie fans and quite obviously academy voters.