this is a movie that has to be seen on a big screen, because it is a trip to marseille, and we can't travel anymore. at least we can have a glimpse of marseille in a very big screen, and it makes the experience much more intense. this film tries, through damon's character, to make some political points to take a swipe at american populism and a me—first mentality. it doesn't quite succeed. although there are some commendable components to this picture, it is an ambitious concoction that falls a bit short. and amanda knox certainly made it clear that she is not happy that this film was made. on twitter she posted that... "people continue to profit off my name, face and story without my consent. most recently, the film stillwater." one of the pleasant surprises of blockbuster season was summer of soul, a documentary that threw a light on a little—known festival that took place here in harlem in new york city