do we _ perhaps the only question is, what do we choose to evolve? do we choose to evolve _ do we choose to evolve? do we choose to evolve what is closest to us, or do we _ to evolve what is closest to us, or do we choose to evolve the elements that are _ do we choose to evolve the elements that are foreign to us? who are you? you are _ that are foreign to us? who are you? you are going — that are foreign to us? who are you? you are going own, sojust be ghanaian _ you are going own, so 'ust be chamomfi you are going own, so 'ust be chamomfl you are going own, so 'ust be ghanaian. ., ., ., ghanaian. right now if i go to the uk and i ghanaian. right now if i go to the uk and i play _ ghanaian. right now if i go to the uk and i play any _ ghanaian. right now if i go to the uk and i play any african - ghanaian. right now if i go to the uk and i play any african music, i ghanaian. right now if i go to the | uk and i play any african music, it doesn't matter what it is, it will be branded afrobeats. as long as they know it is an african artist, it is coming from south africa, it is coming from senegal, it is coming from kenya, it is coming from nigeria, they willjust call it afrobeats. that's the problem. the problem isn't the fact that hiplife has lost its id. hiplife hasn't lost its id locally. it is how the international audience is viewing hiplife. hiplife is still within artists life day in — hiplife is still within artists life day in and day out. we hiplife is still within artists life day in and day out.— hiplife is still within artists life day in and day out. we have our heritaue day in and day out. we have our heritage rooted _ day in and day out. we have our heritage rooted in _