looks odd, it�*s wrong. i think that i have to stay off if they have been put off i have to get off.— put off i have to get off. there are some great _ put off i have to get off. there are some great monologues _ put off i have to get off. there are some great monologues that i put off i have to get off. there are l some great monologues that people think of some great fine american comedians who are known for their monologues and then when they get recorded of course on records and the good old days you get royalties but presumably that�*s the problem here. with this kind of system at the moment, if you write lyrics for a song or if you record something like that for a commercial release you automatically get the money, the system is there, presumably at the moment there is not a system. we are modelin: moment there is not a system. we are modeling the — moment there is not a system. we are modeling the after _ moment there is not a system. we are modeling the after the _ moment there is not a system. we are modeling the after the music- modeling the after the music industrx _ modeling the after the music industry. and it collects for songwriters and composers and they resist _ songwriters and composers and they resist and _ songwriters and composers and they resist and we are the equivalent and what's _ resist and we are the equivalent and what's happening is mediums are being _ what's happening is mediums are being paid fortheir what's happening is mediums are being paid for their sound recording but they— being paid for their sound recording but they are not being paid for