Money influencing the editorial agenda. What do you like helvetica, times new roman, franklin gothic condense. And photographs from the front of the news. Since the first i. S. I. L. Video came online showing the beheading of james foley. The groups output has become grew some. At the beginning of this, jordanian pilot moaz alkasasbeh burnt alive, and footage of 21 Coptic Christians beheaded in libya the first material filmed outside i. S. I. L. s territories in syria and iraq. Each propaganda video placing more into the fray. For the past three weeks nigeria joined in. The output it was a narive of a war and revenge. This material made by those who know, beyond, it is an organization hard to ignore. Theres an intensifying battle and propaganda that has defined the latest wore in the middle east. The starting point this week is egypt. Are we now seeing holy war against a religious component. Every video that we are getting from the Islamic State is more intense, more dramatic. It is overpowering. Journalists and reporters want to demonstrate the horrific nature. This is something that comes out of hollywood almost. The media recognises the drama in this. And its news. It has to be covered. In a campaign being conducted by the socalled Islamic State. The online videos are powerful currency. They demand attention, telling a story of revenge. Invoking real reactions from the enemies. The videos are geared towards multiple audiences, towards the audience in the public. In some instances, it is drawing into a confrontation towards support. They want to communicate that they are here to stay. Anything that contribute to the thee at electrical nature of the display. We dont want to do anything that contribute to that. At the same time, we are a news organization, its a job to report on this and context ulis it. And explain it. This is the pattern. There is another pattern, a framework within i. S. I. L. , the territorial aims and propaganda. If you are going to be successful, do it now. It was used for iraq in 2002. For libya, under Muammar Gaddafi in 2011. Military enforcement of a zone, and was employed in some forces picture. The Islamic State released a video. Fuel to the fire. Politicians talked suf and echoed the rhetoric. From japan. To jordan. To egypt. The case of egypts response to the killing of the egyptian coptics in libya is an example of how the media is used by both sides, by i. S. I. L. , and then by abdul fatah alsisi, the president of egypt in response to the killings. He is using the media to show that egypt is tough and will protect itself and face any change that comes its way. The media is central to the way that abdul fatah alsisi tries to shape his perception among the public in egypt. He is making his case, that the Muslim Brotherhood is practically indistinguishable from some other rad igal jihadist groups. Its a cores of you are with us or against us, and the narrative of the war in terror. So you do not support the campaign that is a response to the beheading of citizens, and you find yourself in opposition to the National Security agenda. The media, literally not only in tandem said that there needs to be an intervention, egging on abdul fatah alsisi to take action. Much of the media gravitates towards war metaphors. The framing of war helps us. Well turn to the war against i. S. I. S. War gravitates or should gravitate towards an aspirational end. Six months since the first i. S. I. L. Video was posted it was violence. In the main stream media the antiterror narrative was plied to a new battle. An enemy where propaganda was the strength. They can intimidate people. The media plays a role. I. S. I. L. Was part of a place thats existed. Small numbers. What they fought against was military force, international troops. They are immediately they are not that strong. Careful. One of the structural problems is too often its framed as the west versus terrorists, where it is part of a huge internal battle within the arab, muslim world about political change, legitimacy, so on and so forth. You see some of that. Albanians are good making it look like its nothing to do with islam. These are people u. S. You wering sense of legitimacy. Theres a problem in many ways in the media following the calls for intervention. Military intervention to defeat i. S. I. L. The media should analyse what happens when Foreign Military intervention plays in the middle east. The record of the last 14 years was dismal in terms of the ability of we were powers to use military force to defeat and stop the terrorism. Exactly the opposite happened. On the download this week, viewers on the i. S. I. L. Propaganda battle. The problem with the Media Coverage of i. S. I. L. Is theres so much emphasis put on the videos they put out the beheadings, 24 hour Media Coverage. What i. S. I. L. Did is horrific, if not tremendous. You are adding to the propaganda. That is what i. S. I. L. Wants. Fox news was the only channel showing the video of a jordanian pilot burn to death in its entirety. They want people to be outraged and support military efforts against the state. The Islamic State looked at it like its an opportunity to get more attention. We are open to viewer feedback and ideas. If you have an opinion, go through facebook or twitter page. Ajlistenpost. Fire up the camera, well see you on the download. Complexity. Its broad generic replacing it. The challenge is to preserve that, look for what is led to a certain language. We go back and reenforce that its not just in the content of what the word means, what is generalated much its in their form. Journalism is about the fact and not the literal meaning. More voices on the down loads on fonts and how to use them. A choice of forms and publishing is probably more. It will not only bind the Corporate Identity together, but it is also the main part used to communicate with the readers. They are making a statement, even if you study the fonts saying im this kind of publication. Publication, its readers, it makes a big difference. Made it easier to read. Theres probably not a single good spot. They are trying to portray you i and finally every year the netherlands based World Press Photo awards selected some of the best photographs chronicling the year gone by. It announced the winners in 2014. Flipping through gives you a retrospective of last year some are easy to spot like the ebola outbreak. Others are hidden like the unworn uniforms of the nig schoolgirls from chibok. The winner shows a gay couple from russia. We see you next time at the listening post. It housed just 265 inmates, all male, mostly volunteers from other camps. It was the only camp of its kind in the united states, it was really kind of an experiment. Is this gonna work . The men were of japanese descent but were not american citizens, some kidnapped by the u. S. Government out of latin america and brought to this country after the attack on pearl harbor. Arturo yakabi was from lima peru. Because kooskia was under Justice Department jurisdiction, these men were considered prisoners of war. They had Geneva Convention rights, they knew it and they exercised those rights. Their food was better, their accommodations were better, the attorneys at the kooskia camp could even get beer. Summertime digs have produced thousands of objects from the two years kooskia operated during the war. Artifacts include art carved from local river rock and so much more. He would have loved that theres more studying going on now. He was free to have all that experience. Isnt that ironic he was free. I said he was free to have all that experience. My father liked it. Al Jazeera America gives you the total news experience anytime, anywhere. More on every screen. Digital, mobile, social. Visit aljazeera. Com. Follow ajam on twitter. And like alJazeera America on facebook for more stories, more access, more conversations. So you dont just stay on top of the news, go deeper and get more perspectives on every issue. Al Jazeera America. Slavery in nepal has been abolished, by law. But behind the high walls of many city homes here, young girls continue to serve as slaves. Known as kamlari, they are the daughters of indebted farmers, sold to landlords for little to no money