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Last modified on Tue 26 Jan 2021 07.02 EST
“She might be crazy, or she might be the sanest person I’ve ever met.” Some cringingly obvious lines really lower the tone of this deep south melodrama (released in the US last year with the title Tuscaloosa). It’s an adaptation of Glasgow Phillips’s novel about a white kid in early-70s Alabama: a psychiatrist’s son, he falls in love with one of his dad’s patients. The director is Philip Harder, a veteran music promo maker who evokes time and place with the intoxicatingly intense colour and heightened reality of a William Eggleston photograph. But his film, though well-meaning, is disappointingly tame and soap opera-ish.

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