Transcripts For RUSSIA1 Kogda 20240703

We apply this gloss using our hands like a bun. Sixhour aged milk from the cow is supplied to cheese production from a farm in the region named after lazo. This season, the cows are working seriously on their milk yield; it was decided to use the surplus for processing. Today we are approaching the mark of 5 tons of milk production per day. Only 5 goes to the cheese factory. And sorovars are ready to take more. For this purpose, the Company Plans to modernize production and move away from manual production completely. To automated labor , i would, of course, in the future, like to create a dairy plant where we ourselves, well, using technology, could make more and better products, there is a lot of milk, of course, and there is room for processing it, the most important thing, because all the technologies have already been worked out, all that is needed is investment and, naturally , some kind of government preferences, the state is ready to provide preferences to enterprises that have taken the path of import substitution as a matter of priority. For the purchase of some equipment, for reimbursement of costs , for example, for raw materials, so next year it is possible that mozzarella, skomorza and even rakfort will already be prepared at the factory, and not within the walls of a small sour factory. Anna lyunova, konstantin krutikov, vesti khabarovsk. In in the ryazan region, a rare find of 15thcentury basreliefs with the image of christ was made. He once decorated the proske temple on fridays in the village of tolpino, but in the council. Over the years, the church was destroyed, and its walls, along with the basreliefs of saints, became the foundation of a garage and stables. Details from daniil vasin. Stone blocks and bricks scattered here and there, this is what the place where the orthodox shrine, a barrel with the image of the savior, was discovered, now looks like. He ended up in the ground due to the antireligious policies of the soviet government. In 1931, the bolsheviks blew up the temple great martyr proskeva friday, bricks. And stone blocks were used for the construction of outbuildings in the village of simeon. Bricks and stones, these are white, white blocks, they were used in the collective farm buildings, stables, stones, blocks were taken for the foundation and the walls of these tail buildings were erected from bricks. The destruction of churches in the soviet union took place almost everywhere; those churches that were not destroyed were adapted for storage. For example, grains, most of the shrines disappeared without a trace during church repressions or was destroyed. Excavations were already carried out here in 2010. The owner of this collective farm, he did not dare to restore those buildings, because he understood what these buildings were made of, yes, that is, from the blocks of the white stone church, pyatnitskaya church, again from the bricks of this church, so he handed it over to the temple. Then, in the course of the work , three of the five basreliefs from the destroyed church were discovered, images of two archangels and john the baptist. At the beginning of october , another image of the savior was found. Local historians, volunteers and parishioners took part in the Search Church of simeon the stylite. According to archival photographs, basreliefs with the faces of saints were located above the entrance to the church of paraskeva friday. The fifth stone block with the image of the mother of god has not yet been found. Father mikhail, local historians and parishioners are sure that the last remaining baril from the destroyed church is kept here, among these stones. The work to find him will definitely continue, as the abbot himself says, with gods help they will definitely succeed. Daniil vasin and valery chikin, vesti ryazan. Ministry culture of the Nizhny Novgorod region has set a goal to begin work on the preservation of monumental mosaics of the soviet period. Having studied the experience of other regions, it became clear that there were no. Where they started, evgeniy knows, i ask, help, that is, i, i believe that this is possible, the plea for help from the daughter of the author mo pano was heard faster, higher, stronger, in august, through our broadcast , she appealed to everyone who could help, including officials, to preserve the legacy of her father, the ministry of culture responded almost immediately, stop only they didnt work at one site, the assembled Expert Council set the goal of establishing the value of every mosaic from the ussr era in the region. At the moment, we have warned all our respected colleagues not to destroy these mosaic panels, not to cover them with insulation, so that all mosaic panels and dismantling, any work with them comes through expert advice. On the mosaic , options for a pilot conservation mechanism will be worked out faster, higher, stronger, starting from the legislative framework, which is currently absent in the country, to the procedure recognition or nonrecognition of objects of monumental art of the ussr era as cultural heritage. Not all the details of this mosaic panel have been preserved, but those that fell or those that were taken out during the dismantling of the House Management company will. Be sure to be collected in order to preserve the authenticity of this panel to the maximum. The restoration process has already begun with the dismantling itself each part is carefully removed, signed and stored, after which all parts are taken to the workshop, places that require reconstruction are recorded, welded smalt in the colors that the author intended. Fortunately, there is a lot left from the artist, which means there is information about how he did this work. We got. Material from which we understand what the mosaic was supposed to look like and what it looked like originally. All work should take no more than a year, during which time the Regional Ministry of culture hopes to develop mechanisms for the restoration of other objects. If this happens, the Nizhny Novgorod region will become a pioneer in preserving the heritage of soviet mosaics. Evgeny karpov, dmitry keymak, daniil voronov, vesti privolzhye. Vanadare hosted the ergav folklore festival, with special attention to folk crafts. At the fairs exhibition, craftsmen competed in the art of making fur and leather products, sewing National Costumes, and bone carving. Report by christina movchan. As part of the district folklore festival , a fair and exhibition of works by National Masters from different parts of chukotka was held in the district cultural center. Alexandra tygrilkut came to the capital of chukotka from the village of uelen with her daughter valentina chinna. On in a big competition they presented their products made of bone, hair, deer, leather and fur. Valentina. By bone, and alexandra sews handbags, National Costumes and accessories for them, my mother is a seamstress, she taught me how to sew slippers, mostly my mother and i sewed slippers, and then, when i got married and got on my own feet, i went to work, after the fur farm i went to a sewing workshop , craftswoman irina umkat from the village of lorino has been sewing not so long ago, but quickly learned how to sew traditional chukchi slippers and costumes made from animal fur, since we recently opened a skin processing plant, we sew chkota slippers, well, mostly chkota slippers, souvenirs, in the future we will sew fur clothes for our hunters, a total of 20 craftsmen took part in the creative competition, they presented works made in techniques characteristic of different territories, showed the unique traditional art of northern peoples, today we assessed the national costume, bone carving art and decorative arts, all the participants were great, we tried, the observance of tradition was assessed, the district folklore festival ergaf is a largescale event at which masters have the opportunity not only to show their work, but also to exchange experiences, learn something new, here you can show yourself and listen to others interestingly and, as it were, you can also learn from them, spy on something, its also interesting and good to have such programs. According to the results of the fourth day of the competition, in the nomination for the best product made of leather and fur, the first place was taken by a craftswoman from the village egvikinot irina taksina. In the nomination for the best product of bone carving art, the grand prix was taken by stanislavtin from uelen, and the first place was awarded to konstantin dobriev from igvikinot. In the nomination for the best national costume, the jury was unable to determine the winner; second place went to the craftswoman alexandra. Kristina movchan, alexander kuzminov, vestikotka. 25 m underground, ice caves with a Large Network of corridors. The tazovsky permafrost pond, built in yamal almost 70 years ago for storing fish, now attracts tourists from all over the country, its amazing what, what exhibits from frozen water can be seen in the unique museum and what does perm sculptors have to do with it. Details in the report by lala hasanova. There are benches here on which. To rest and think about the eternal, well , you wont be able to think about the eternal for long, the temperature at a depth of 20 m, the permafrost reaches 20, this gigantic. Was built by special settlers in the middle of the last century. From time immemorial, permafrost areas were used exclusively for storing fish and meat. Today, these are fullfledged tourist spots, and they are filled with small folklore ethnicity. The germans have a fairy tale about why the corpatka has red eyebrows. The fairy tale says that someone offended her, so she cried for a long, long time and since then her eyebrows have been red. The Museum Displays Ice Sculptures reflecting the flora and fauna of the region. There is also a team of deer, arctic foxes, the girl sikhertya and shamans, the figures were created by st. Petersburg masters , echoes of the past have also been preserved, a transporter from the fifties is like an old exhibit, next to an ice fisherman, ready to load a box with a catch onto the belt, conducts a tour nadezhda hoodies know more than a lot about the history of their native land and the epic. According to the germans, the world is divided into three parts upper, middle and lower. In the upper world lives the good spirit num, in the middle people, spirits and animals, in the lower world the evil spirit nga, next to num the loon a sacred bird for the germans. It was the loon who was the progenitor of the earth. By the way, the snowy corridors and labyrinths of the museum, which mesmerizingly sparkle with small crystals, were also made by hand. The walls are artificial glazed. Our guys using wet the snow molded every gap, creating such a fairy tale for us. If we look at the ceiling, we see snowflakes, they are formed from our warm breath. Permafrost treasures. Past and a special attitude towards them, besides , there are not many such points on the map of the country, there are only a few stylized as a museum, it is not at all surprising when young couples rush to legitimize their relationship in such iconic exclusive places. Lala hasanova, sofia kateta, ringult vashkevich, sergey kozlov, vesti yamal. Giant lanterns, huge fish and other strange creatures painted the sky of the chinese town of way fuan. There was a kite festival there. Now this is harmless fun, because during the first world war, similar flying objects were used for military purposes, in a sense, kites are the prototype of modern drones, report by alexander baltsky. Here they call it taming the dragon, but to do this, you also need to tame the wind, and this is still a science. But she is the main one at the kite festival, when the whole sky is like a multicolored tender blanket, and some specimens under three hundred meters. I once launched a dragon the length of a football field, it was something, i generally love traditional chinese kites in the form of a dragon, they definitely have a soul, we brought a kite that is in the shape of a sea monster, such were in ancient chinese legends, giant lanterns, huge fish, in china this is a symbol of good luck, and even such incomprehensible designs, also kites, although they look more like balls, in the shann province, which considers itself their homeland, fans of kaetingga are now gathering from all over the world. To show that there is no limit to the flight of imagination. Ive been flying kites for at least 40 years, and you know, thats probably why i feel younger, at this moment were all like children. It is the town of waifang that is called the capital of chinese kite sailing. It was here, 2,500 years ago, that the philosopher midzei came up with, as they said then, a wooden bird on a long string, which became the prototype of modern balloon kites. Either its fun, or its sport, but for lausha its also the go of his whole life, he makes kites with childhood over a candle flame, bends bamboo sticks, then stretches paper between them, the same centuriesold technology and many of his crafts are in private collections. Chinese kites are ambassadors of culture and a bridge of friendship for communicating with friends around the world, and in general, of course, they can be called the first drones in human history. In ancient china , kites were actually used for military purposes, they transmitted reports with their help, raised regiments to attack, and even dropped balls with lit fire on the enemy. Gunpowder, which is probably why in the chinese weather balloon, which is also akin to a kite, biden dreamed of a spy balloon in winter, at the festival in weifang this has already become a reason for jokes. Let the americans not be afraid of our kites, they will not reach america, unless, of course, the rope breaks. In the pentagon, by the way, they eventually admitted that that balloon was not engaged in any reconnaissance, and as for the chinese craving for the sky after all, thats why its under heaven, alexandrelsky, nikolai petrov, news from waifang, china all news is always available on the media platform, look at application or on the website smotrim. Ru. That s all for now, we are following the developments, see you later. In the steppes of peredur you can endlessly admire the unique landscapes, here nature plays on the contrasts of light and shadow, warmth and warmth, even those who have never been to orenburg know its legendary symbol the orenburg. Down tray, light as lace and at the same time very warm. I cant believe that these qualities can be combined in one thing, but only until you pick up a handknitted scarf. What is it . The secret is why nowhere else can we achieve the same effect. My interlocutor today, you know, when i told you a few days ago that i would go to orenburg , her answer was absolutely unequivocal, and that you will do a program about orenburg scarves, why suddenly these two words, there is an orenburg scarf, this is always associated, well in fact, the down scarf, thank god, is still a symbol of our region, a symbol of our city as well, this is historically with almost three centuries, it is a cossack craft, it is a craft our grandmothers, the craft of our mothers, i hope this is the future of our region, and when you say, these are the cossacks, what does it mean that these goats just came here along with the kazakhs, practically yes, orenburg itself was in the time of catherine, this is a strong region , fugitives where they came. Where the cossacks were looking for freemen, here a certain , well, ural cossacks was formed, yeah, the cossacks are military people who often died, they often went on campaigns, this is a risky land, so farming as such is practically there were no, plus very long winters, and women needed to look for some way to earn money, they found this way to earn money by knitting, someone noticed that local goats have wonderful fluff, people tried to choose a braid that gave more hair , braid, which was given a greater length of fluff so that it would be easier to come, that is, this is essentially folk selection from the fertile material of a wild goat, yeah, that is, it was all gradual, every year just selection went on, gradual, and this is connected with what with nature, with with grass, which sit here, what is the beauty of orenburg down, it is one of the thinnest in the world, that is, it. Is practically comparable to cashmere, from 13 to 16 microns on average, and it is quite difficult to process, because it is very short, quite weedy, but at the same time, for example, the closest competitor, pridonsky or volgograd down, it is 25 to 32 microns, that is, almost twice as thick, and accordingly, the thermal conductivity of the fiber obtained from orenburg down is incomparable with any other , this one is in the south unkind evening. Then, in the snowy darkness , dear, you threw an orenburg down raft over your shoulders. The orenburg shawl became famous , among other things, because the orenburg goat is lived out. Gives its unique fluff only in our climatic conditions, there were attempts to breed scythes in other regions , namely the orenburg breed, it was once transported to france, they also tried to keep it in the local climate, but gradually, gradually it degenerated there, as in other regions where kaza were exported, the fact is that in the orenburg region the climate it is sharply continental, there are a large number of mountains in some regions, the remnants of the ural mountains, so to speak, and there the goat, due to the strong wind due to. It gets fluff of exactly the length that we usually knit from, this 6. 8 cm, in other regions it does not become this size. The orenburg downy scarf, among other things, became famous for the fact that it could be threaded through a ring, by the way, i can demonstrate this to you, in general there were different options for gifts for trying to put it in an egg, but here is one of the most key elements of these, this was , of course, threading through a ring, since the fluff of the orenburg goat is very soft, delicate and thin, and she is a filigree craftswoman, this is what orenburg is famous for. Scarf and the work of our orenburg craftswomen. Well, if it really is a legend that these kooz were sent to europe , which is not a legend, as i understand it, already in the middle of the 19th century, at various exhibitions there, including in london and paris, these orengor scarves just suddenly appeared. Which are all simple theyll be amazed that wow, this is really very high quality, very thin , very beautiful, they get medals, thats where , in the middle of the century, there was already such a production , there was already some kind of megafactory and what was the purpose of producing this . No, the industry has always been a homebased one, that is, there were no big ones, there were never artels, that is, there were buyers, there were women who were always involved. That is, it was work when in the evening they either got together, spent evenings, the socalled, well, this is our phenomenon, when they gathered in their homes somewhere under they knitted with a torch, and this was in every village or in every village in the orenburg region or well, the province then, but mostly the eastern orrenburg was knitted, the orenburg region was knitted, well, in principle, knitting was widespread almost throughout the entire province, the knitting of orenburg down tents. There are no two scarves that are the same, that is, each craftswoman creates her own work of art, which she comes up with herself, in general, she composes these patterns, especially, of course, this can be seen precisely on cobwebs, on openwork shawls, and these gray scarves are called warm because their main function was to warm a person in the winter. Not in the cold, we have very harsh winters here in the orenburg region, in the orenburg province there were, our steppe snowstorm is also known to everyone, this was their task. Openwork webs, despite the fact that they are less functional, but because they are very beautiful, this is such an openwork, openwork lace, they were also widespread and now they are generally receiving such a rebirth. Our museum houses a unique collection. And down shawls that were once knitted by a famous craftswoman, a down knitter from the village of zheltaya, a neighboring village with a black spur, which are dedicated to pushkins theme, the arrival of alexander sergei chrenenburg in 1833. The downdressers of this village are yellow, they specialize and are famous for their openwork down scarves with very beautiful complex ones. Patterns, this down knitter, she herself came up with, calculated, created these patterns that today we can see on here these beautiful down scarves, every knitter, she knits a scarf for herself, she knows how to do it, she expresses her thoughts in it, but when we talk about crafts, there are many of them, you can come to any yard, you can ask your grandmother, to do this, you can consult with someone, when people gathered at parties, when they knitted together, they exchanged experiences, they spied on each other, they adopted some patterns, they invented something, there was some kind of healthy competition, all this shaped exactly what we are now we call the orinburg down raft, it did not happen instantly, that is, it was a huge work of many thousands of people, many generations of people, when a grandmother taught her granddaughter, a mother taught her daughter, there when they grew up, they taught their children, that is, it was all gradual, some canons were formed, that is, just this craft, its good because a lot of people around knit, as i understand it, there is the quality of the fluff, and there are several more elements, these are patterns, the second point is shapes, because what do you use yourself . There is either a duct or a web, i often say that a scarf has two components, utilitarian and artistic , unique fluff is responsible for the utilitarian component, and people form the artistic component, there are two main categories of scarves warm scarves, openwork scarves, which are quite thick threads, which are shawls for warmth, which have a solid middle, the second direction is just cobwebs, that is, in general they were previously called thin openwork swimming trunks, but because of the similarity with cobwebs, the concept of cobwebs gradually became established, this is a form webs or are they just square, no, the main shape is a square, a square, stoles appeared in soviet times, but stoles are a derivative of cobwebs, an openwork product, it was formed taking into account the fact that in soviet times there was a factory for down scarves and he gave out plans, but they took root, this plantinina is now a very interesting product, which is also elegant, and putinka. Differs from a scarf in that, firstly, now a different base is used, a denser thread is used in the scarf, thicker, and the base is mainly cottonpaper, yeah, a silk base is often used in the web and the thread for it will have to be much thinner, that is, the web is just the product that should pass through the ring, that is, this is the main criterion , but a cotton shawl is no worse, that is, it simply cannot have other purposes, that is, a shawl, for example, is that product, and they have a solid middle and. A border, a border, a binding, why is that, because ours ancestors, they were quite practical; knitting a pattern completely was much longer and much more difficult than knitting, for example, a solid middle, the scarf was most often worn like a scarf, that is, it was folded in half, put on the head or tied on the shoulders, and when folded in half, the pattern still got lost, uhhuh, and the edges, since they often developed in the wind, they were visible; they invested precisely their creative motives, their creative, Creative Energy into these elements. Yeah, that is, all this was formed not because someone came up with it, but because it was so convenient, so practical, so beautiful, it was so interesting, that is, this is precisely folk craft, folk labor, which always resulted in some products, in some directions, what is happening, are you moving, why, where, premiere on rtr, i miss you, i love you, wait, wait, a second, mouse, finally, i. Have decided everything, we will give birth in germany. Seeing fever, on monday, on rtr, favorite songs are played in our studio, lets go, birthday, Favorite Music ever. Real feelings know no boundaries, im sitting here and barely holding back tears, theres so much beauty there, soul, no, this is a layer of culture, this is the golden fund of the soviet and russian country. Hello, andrey, andrey malakhovs evening show, on saturdays on rtr. I got the tender, i need to have time to put the park in order during the city days. A serious competitor, we need to remove it, set it up, dirty tricks, everyone will immediately think of us, yes, no, well, not with my own hands, im ready to start work right today, i understand the logistics of supplies in organizing work, some kind of wise guy, be careful with him, i want us to be together, a real man should be manifested in his actions, i dont understand, this cant be, no one has ever disgraced me like this. You dont want to prosper, get rid of the weeds, what is it, you arranged everything, only all the facts are against you, i cant see you i can, roses and thorns, premiere, saturday on rtr, the floor is shaking, the walls are shaking. Big changes have come, in the new season with a new renovation, a Slight Movement of the hand, we are making three different functional zones from this room, absolutely without any glamor, ideas are overflowing, we want to transform the radiator into an art object, there will be plenty of surprises and a lot of work, plans are turning into projects before our eyes, i adore plants, im generally a plant maniac. Real stone flowers will soon bloom in the living room of our heroes , after dismantling, much will become clear, and dreams become reality, look, let them into your home, big changes, today on rtr. I work on the think tank, i see houses. Points, but ive actually seen all my life, how much ive known myself since i was 8 years old, how i learned how to knit, because at that time we had everything knitted. Absolutely, out of 100 women 80, they definitely knitted, we had a down production plant, they knitted there, including my mother knitted there, and naturally i also learned to knit, then it was very useful to me in life, if i knitted my own scarves , i knitted what came to me, so i liked each pattern in its own way. You come up with an idea, today you will knit such a bundle, and to another scarf you will knit another bundle with a different pattern and knit the middle with a different pattern, the tradition from our grandmothers and mothers is respected, thats why it is so preserved, for example, a down scarf, a stole, a web, a downy brother has several stages of production each of which requires attention to scrupulousness, the kind that is only possible with manual work. Maybe this is the secret of a real orenburg ford. Orenburg braids are not cut, they are only combed with pogo hands; it takes up to 8 hours to comb each goat. This goat will give about 300 g. So i pinch them like this, in general, i know myself, i. Have been with them all my life, at first my parents kept goats, then the whole village ive been keeping goats for 35 years now, ive been with them, we feed them hay and we definitely need barley or its necessary, we definitely need this, with just hay the fluff wont be good, the longer the fluff, the better, of course, the short fluff it will come out with and will roll off , then you need to select it, this one, so that there wont be anything there. But its clean, really, then wash it, and also the hair, if there is hair, you have to pick out the hair, then scratch it, this is a braid from olda, this is a museum goat, she even has a page on social networks, about the braid he tells the prodigy, how it grows and develops, but she gave birth twice, but for some reason we dont get a kid, we scratch the braid at the end of winter, usually in februarymarch, which is why its not customary here to dye down, in the present arrinburgskomka aims at natural colors with many shades, we have fluff of only two colors gray and white, snowwhite can be straight goat, sometimes cream, and gray from a bluish tint to. Straight black like this, well, there are no such colors, our fuch is unique because it is very thin, it is very thin, light and delicate, if we talk about warm scarves, then we have the middle knitted on a machine, all the work, the pockets, bindings, everything is done by hand, second the fluff needs to be processed, that is, you need to remove all the rubbish from it, you need to select from it according to the possibility of all the hair, this is a huge work, and it is quite dirty, because the goat, as i already said, it is on a natural discharge, everything that in general exists in nature, everything is on the goat, that is, in our country, for example, on in production , about 20 of the weight is lost after washing, yeah, because the clay goes away, and the dust goes away, and after we have chosen, well, all the rubbish is fluff, it needs to be washed. Yeah, after we washed it, it needs to be disheveled again in order to prepare it for combing, after that there is a combing process, a combing process, when you need to separate this downy fiber so that it can be spun, that is, the fiber to fiber, this is a very long process, a very long stage, very laborintensive, after that you need to spin the down thread, ill come now, prepare the down thread so that you can stitch it with paper. To make these openwork scarves, if you need a thinner thread, then we use silk, that is, i will have to use even thinner yarn, now ill show you, just a very, very, very little hair you need to know, this is the thread, it here is such a thread, it is covered with silk, with the same thin silk thread, you get these openwork scarves. These are cobwebs, all this work is done by hand, we havent yet come up with anything to make the yarn so thin, so we finished the spinning, now we take it. We have such a device sparrows, on it we have white paper, cotton paper thread, take a thread, take a cotton paper thread, now we have a process of wasting, that is, joining two threads, cotton paper down, down thread, we immediately prepare for knotting, here is a hand one, this is how we wind it clockwise. We wind it all up, get ready for knotting, then we take, this long cord, then i take it like this, this thread starts to knot, like this, we knot, you see, the thread is knotted, it means its ready for knitting, thats it you can use it reeling in, now rewinding. Important elements are patterns, in general there are some special patterns that are specific to orenburg scarves, the rebus down scarf is interesting, it has its own composition, it has its own specific set of elements, the composition of a down scarf is most often associated with circles, circles these are diamonds, standard. Well, the classic one is a onecircle , fivecircle putinka or scarf, this is precisely due to the fact that in slavic history rum has always been associated with the sun, that is, rum this is the sun, in the cloth it is yes, yes, yes, that most likely this is all, a deeply folk thing that has simply acquired a new toolkit, when knitting the orenburg downy scarf , seven patterns are used, combining them, im in a position, if you look at this scarf , why it is interesting, firstly , there is a connection of downy thread, gray and white, carefully connected, this also requires skill , a very interesting pattern has been selected, for example, these are the rows we have, we call them that, traditionally orenburg the pattern is already 200 years old, from my mother, from my grandmother, and this is how it is passed down, all the time. Over time, if other craftswomen dont like it, if its hard to knit, for example, it can exist there for 35 years, well, 10 and just leave the industry, and everyone will forget about it, i m sure that there are a huge number of elements that we dont know, but which once existed in orenburg, i understand that the orrenburg scarf is also a certain composition, it looks like a standard warm scarf, uh, look, you see, theres onecircle middle, here it is, a rhombus, which is in the middle, there is a binding, here is a binding, here is a binding, yes, there is a border, here it is, a border, and there are teeth, and teeth, its clear, yes, yeah, we were in mordovia and there are very interesting researchers of mordovian patterns, those that also overlap very much, and there my women should have talked about threepart, that is, this is the lower world, our world, we dont have three parts, we have a kind of fourpart scarf , but in fact, these teeth are an element that developed only in the 20th century, that is, it came gradually, since the product was stretched just on the hoop, it was quite beautiful and they began to untie it, that is, the scarf always used to be threepart, that is, it was three elements, and the center was tied and the border, that is, in fact, even in this there are certain, well, lets say, echoes over the century; all this is developing, being presented abroad, and in general under the soviet union, so what happened here . Well, in fact , during the soviet union there was probably a maximum the flourishing of the craft, that is, then a certain institution was formed, you can even probably call it that, the emovk combinator, it was a very strong, very Strong Organization that united around itself a huge number of knitters, they helped at home, in the family, that is, it was a huge layer of people those who were engaged in fishing, who were engaged in professional knitting, there were artists in production, then they were very careful about the quality of products, well, it was a rigid soviet structure that produced excellent results, which just helped, to lay, well, the foundation of what is left now, and after the end of the soviet union, something really began. In terms of the fact that this governing body, which oversaw everything, left, and for many it was a very difficult period, almost all the wearers say that only scarves helped them survive at that time, this largely affected the quality of the scarves, it was at that time. Orenburg down practically disappeared from the industry, because knitting with volgograd down is easier, it is longer, it is easier to process, in our country it took a huge amount of time, a huge amount of effort to get the knitters back to the fluff of orenburg fluff, for about two years we accustomed the knitters back to orenburg fluff so that they could knit from it again, thanks to the revival of the craft, the number of braids began to gradually increase, which gives hope. In the future to preserve this natural wealth, the orenburg bunch. Now we dont, almost everything we produce here is made from the fluff of the orenburg downy goat, the result is a scarf exactly as it should be canonical, we focus on the patterns that are inherent in the orenburg down tent, the last one there is 100200 years old, these are classic patterns, there are various rhombuses, well, a large number of these are correct. We now have a layer left technical connection with the soviet past, who are indoctrinated by work, who have a completely different attitude to life , who are accustomed to being at work all their lives , who simply cannot imagine themselves without, for example, without getting involved, they cannot imagine being able to sit down, watch tv and to do nothing, that is, for them even reading a book is always with a scarf, with knitting needles in their hands, its very difficult to teach your granddaughters to knit, because there are a huge number of distracting factors, well, everyone now has smartphones, tvs, previously, there probably wasnt such a big information noise, yeah, if we dont take some critical measures , then we will most likely lose the craft , the craft will remain, some stars will remain, some smart knitters will remain who will continue their work there grandmothers, but precisely that communication between knitters, that structure when you can come to any house and they will tell you there, this will most likely go away, but this is the prospect of the next probably 2030 years, if nothing is changed, like a window there are still opportunities, it is still open, and as you see in general the future of the orenburg scarf, i hope that it will develop in the craft, it will develop in some kind of new visions, maybe the internet will help, maybe social networks will help there and i hope i can save it, it will work out keep. The creative spark, somehow interest knitters, interest women, everything will be fine, i really hope so, sincerely, nikorai, thank you for the wonderful conversation, thank you vampire, i was very interested, travel and learn the culture of russia with us, and bonvoya today there are big changes in the program. The first law of repair inverse proportion. How is that . The smaller the room. The more problems, the house is old, with crooked walls, what to do . A luxurious gap, what a gap, look, its more than 30 cm. How to turn a radiator into piece of art . You definitely wont buy one like this in a store, what should you do if you want to leave a brick wall in the room, a great idea, beautiful, but you couldnt implement it, oh, all this and much more in our todays episode. Today, big changes have come to the politov family, which is as bright and unusual as the creation of its senior members, artists Marina Belova and alexei politov. Why is a creative tandem convenient, right . Because from. The responsibility seems to be distributed between two people, you can shift it here to the other coauthor, the most important thing for them is the grandmother, the grandfather does it, the grandmother gives the idea, and so it was already 25 years when marina and alexey met, each had one failed marriage behind them, and marina also had two children, from whom she now the politovs have two beloved granddaughters they share, and they spent a lot of time on us. With my younger sister , i love my grandfather more, but my grandmother will be offended if i say this, in fact, they all love each other equally and. She really loves the small apartment, where her granddaughters often come, like coming home, and this house had seen a lot, when marina and alexey came here, they were in shock, the apartment was completely destroyed, there were holes in the walls, there was no plumbing at all, some kind of things were hanging from the ceiling debris, since the house is old, you know here, for example, such halfmeter ones about such voids. For example, upstairs too, which had to be remembered, i dont know why, they took on the renovation with enthusiasm, installed plumbing, made a kitchen and living room, which also performs the functions of a workshop, the only thing that remained untouched was the policemens personal room, the bedroom; during the renovation, all the things that were here were taken away, we took everything away, the bedroom was like a storage room, for about 7 years now, we have been trying to make repairs there to no avail. On the one hand, everyone doesnt get around to it, there are exhibitions, then you need to work with your granddaughters, on the other hand, people, they are big, tall, and the room is small, how to make it comfortable . Its unclear, you put a closet, block its door, the door doesnt open, then they tried to make storage places under the bed, but when there, well, they put some boxes, storage containers, they cant be taken out of there, you have to lift the mattress, then remove this mesh, get into these things. There a lot of things accumulate, accumulate and look, well , ugly, not aesthetically pleasing. As a result, in order to deal with the small and inconvenient space, alexey decided to turn to our program for help. I ve been watching your show probably from the very beginning. Grandma gets up and says turn on this program, so i looked through everything. Yes, we watch, always, we like her, shes like that very much. And in our positive program there is a person who knows how to expand space and create beauty. His name is dmitry kondakov. Cool, right . Well, its time for us to get to work. Lets go to. Okay, so lets get to work. And the first tricky question i want to ask you. Whats wrong with this space . Ah, this space is not rectangular. This is your eye, my friend, okay, what other problems with the premises catch your eye . They are not abandoned, they have been motionless here for many years, repairs have not been done for a long time, and if they were done, it was restoration, so the walls are old and crooked, that is, all this plaster needs to be removed often, right . Definitely, it needs to be removed, and so that we can apply modern paint , and we dont have cracks, we dont need cracks, we need to make repairs so that they last for years, lets make smooth and beautiful walls, yes, maybe we will find some artifacts under this plaster , the house is old, there are already artifacts here, look at this radiator, this is. You are an old radiator that was installed before i was born, what year were you born . I wont tell you, oh well lift the grille, whats wrong with this radiator, but the fact is that this radiator accumulates dust, because it consists of plates and between these plates there is a thick thick layer of dust that cannot be pulled out of there, lets put a normal radiator in which such it wont be beautiful, yes. Designer, by the way, i wanted to ask about electricity, you said it yourself, the house is old, which means well have to do something with the electrical wiring